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Lady Snowblood: Love Song of Vengeance (Japanese: 修羅雪姫 怨み恋歌, Hepburn: Shurayuki-hime - Urami renka) is a 1974 Japanese film directed by Toshiya Fujita and starring Meiko Kaji. It is a sequel to the 1973 film Lady Snowblood, itself an adaptation of the manga series of the same name by Kazuo Koike and Kazuo Kamimura.
17 mar 2021 · More politically minded than the original, Lady Snowblood: Love Song of Vengeance is full of exciting plot turns and ingenious action sequences. Meiko Kaji returns in Toshiya Fujita’s invigorating sequel to his own cult hit Lady Snowblood. Our furious heroine is captured by the authorities and...
- 89 min
- 6,5K
- Shadows of the Dark
Lady Snowblood 2 - Love Song of Vengeance (Shura-yuki-hime: Urami Renga) - Un film di Toshita Fujita. In questo secondo episodio Yuki, catapultata sul palcoscenico della grande Storia, si trova in bilico tra tradizione e futuro in un Giappone che va modernizzandosi.
- (12)
- Meiko Kaji
- Toshita Fujita
2 mar 2022 · Lady Snowblood 2: Love Song of Vengeance è un film di genere azione, drammatico, thriller del 1974, diretto da Toshiya Fujita, con Meiko Kaji e Yoshio Harada. Durata 89 minuti. Distribuito...
- (1)
- Meiko Kaji
- Toshiya Fujita
15 giu 1974 · Lady Snowblood 2: Love Song of Vengeance: Directed by Toshiya Fujita. With Meiko Kaji, Jûzô Itami, Kazuko Yoshiyuki, Yoshio Harada. To avoid a death sentence for her prior acts of bloodshed, the vengeful swordswoman Lady Snowblood is conscripted by the Japanese Secret Police to assassinate political dissidents.
- (4,2K)
- Drama, Thriller
- Toshiya Fujita
- 1974-06-15
Lady Snowblood: Love Song of Vengeance. Meiko Kaji returns in Toshiya Fujita’s invigorating sequel to his own cult hit Lady Snowblood. Our furious heroine is captured by the authorities and sentenced to death for the various killings she has committed; however, she is offered a chance of escape—if she carries out dangerous orders for the ...
“Lady Snowblood: Love Song of Vengeance” is a great sequel to the franchise and (sadly) its last part . Its obvious political undertones and its portrayal of the period and its characters make Toshiya Fujita an enjoyable, but also quite thought-provoking feature, which again emphasizes the possibilities in the genre of exploitation.
