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  1. www.discogs.com › release › 101768-Various-UntitledUntitled (Vinyl) - Discogs

    View credits, reviews, tracks and shop for the Vinyl release of "Untitled" on Discogs.

    • (33)
    • Not On Label-KE-001
    • Belgium
    • KE (2)-KE-001
  2. www.discogs.com › release › 7065272-Various-UntitledUntitled (CDr) - Discogs

    View credits, reviews, tracks and shop for the CDr release of "Untitled" on Discogs.

    • (1)
    • CDr, Promo, Sampler
    • US
    • Electronic
  3. en.wikipedia.org › wiki › Lisa_FischerLisa Fischer - Wikipedia

    Lisa Melonie Fischer (born December 1, 1958) is an American singer and songwriter. She found success with her 1991 debut album So Intense, which produced the Grammy Award–winning hit single "How Can I Ease the Pain".

  4. it.wikipedia.org › wiki › Lisa_FischerLisa Fischer - Wikipedia

    Biografia. Ha raggiunto il successo nel 1991 con l'album So Intense, contenente la hit How Can I Ease the Pain, che le ha permesso di vincere un Soul Train Music Award e un Grammy Award . Nel 1994 ha collaborato in un album di Aretha Franklin ( A Deeper Love ).

  5. 15 apr 2012 · At first realistic and then totally deformed—the head being set to inexorably fall on the table—, this somber self-representation evokes the artist's demise in the simplest expression of vanitas. Without any glorification of the self, Urs Fischer's art tests the experience of time and memory.

    • Untitled Lisa Fischer1
    • Untitled Lisa Fischer2
    • Untitled Lisa Fischer3
    • Untitled Lisa Fischer4
    • Untitled Lisa Fischer5
  6. Lisa Melonie Fischer (* 1. Dezember 1958 in Brooklyn, New York) ist eine US-amerikanische Sängerin, Songwriterin und zweifache Grammy -Preisträgerin. Ihre musikalischen Wurzeln liegen in R&B, Rock, Soul, afrikanischen und karibischen Stilrichtungen, sowie klassischen Einflüssen.

  7. Untitled explores feminine confidence and pleasure through mundane activities and poses, whilst challenging the authority of the gaze. In contrast to representations by Manet, Picasso or Degas, Brice’s subjects challenge traditional representations of women in the art historical canon.