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  1. en.wikipedia.org › wiki › Eric_AllamanEric Allaman - Wikipedia

    Eric Allaman is an American composer who has worked in film, television, theater and ballet. His career began when he co-composed the score to Ridley Scott's Legend with the German electronic group Tangerine Dream.

  2. Eric Allaman is an American composer who has worked in Film, Television, Theater, and Ballet. Eric’s scores have been performed and recorded with orchestras in Moscow, Russia, St. Petersburg, Russia, Berlin, Germany, Belgrade, Serbia, Prague, Czech Republic, and Skopje, North Macedonia.

  3. La Allman Brothers Band è stato un gruppo statunitense formatosi a Jacksonville, Florida, tra il 23 e il 26 marzo 1969 [2] attorno ai fratelli Duane e Gregg Allman. Sono considerati i principali inventori del southern rock [3], genere nato dalla fusione di elementi del blues, del rock, del country e del jazz in generale. [4]

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  4. Eric has touched millions with his unique talents in composing music." Click on any album cover to hear Eric Allaman’s music from that project. Film & Television Representation. Jeff H. Kaufman. The Kaufman Agency. (+1) 818-506-6013. [email protected] 12007 Laurel Terrace Drive. Studio City, California 91604.

  5. Eric Allaman: Country of origin: United States South Korea: Original language: English: No. of seasons: 1: No. of episodes: 26: Production; Executive producers: Andy Heyward Michael Maliani Steven SH Yoon: Producer: Kevin O'Donnell: Running time: Approximately 22 minutes: Production companies: DIC Entertainment Ameko Entertainment ...

  6. www.imdb.com › name › nm0019886Eric Allaman - IMDb

    Eric Allaman. Composer: Battleship Potemkin. Born in Missouri, Eric grew up in Orange County, California. His family spent summers in his mother's native Norway, and Eric credits this time in the land of Ibsen, Grieg and Munch for helping fuel his artistic desires.

  7. en.wikipedia.org › wiki › Latter_DaysLatter Days - Wikipedia

    Eric Allaman scored the soundtrack to the film after shooting wrapped, and composed much of the score himself. Several scenes featuring the rapid passing of time, such as Christian's desperate search for Aaron at Salt Lake City Airport , were scored with techno style beats, and scenes with emotional content were given a more "ambient 'tronica feel". [3]