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  1. en.wikipedia.org › wiki › Peter_WollenPeter Wollen - Wikipedia

    Peter Wollen (29 June 1938 – 17 December 2019) was a film theorist and filmmaker. He studied English at Christ Church, Oxford . Both political journalist and film theorist, Wollen's Signs and Meaning in the Cinema (1969) helped to transform the discipline of film studies by incorporating the methodology of structuralism and ...

    • 29 June 1938, London, UK
  2. Peter Wollen (* 29. Juni 1938 in London, England; † 17. Dezember 2019 in Haslemere, Surrey) war ein britischer Filmtheoretiker, Drehbuchautor und Regisseur . Inhaltsverzeichnis. 1 Leben. 2 Filmografie (Auswahl) 2.1 Regisseur. 2.2 Drehbuchautor. 3 Schriften. 4 Weblinks. 5 Einzelnachweise. Leben.

  3. December 20, 2019. P eter Wollen, professor emeritus of film, television and digital media in the UCLA School of Theater, Film and Television, has died. He was 81. Wollen, who taught at UCLA from 1988 through 2006, died Dec. 17 in England. Born in London, Wollen studied English at Oxford.

  4. Structuralist film theory is a branch of film theory that is rooted in structuralism, itself based on structural linguistics . Overview. Structuralist film theory emphasizes how films convey meaning through the use of codes and conventions not dissimilar to the way languages are used to construct meaning in communication.

  5. 8 gen 2020 · Peter Wollen obituary. Film-maker and theorist whose groundbreaking textbook was instrumental in launching a new academic discipline. Ian Christie. Wed 8 Jan 2020 11.47 EST. Peter Wollen,...

  6. Riddles of the Sphinx is a 1977 British experimental drama film written, directed and produced by Laura Mulvey and Peter Wollen and starring Dinah Stabb, Merdelle Jordine and Riannon Tise. Plot. The film consists of seven parts.

  7. 29 mag 2013 · Peter Wollens Signs and Meaning in the Cinema remains one of the most influential books on the art of film yet written. To celebrate the publication of a new edition, we share extracts from an interview with the author that find Wollen restlessly arguing with himself about the evolving medium.