Risultati di ricerca
Basil Herbert Dean ( Croydon, 27 settembre 1888 – Westminster, 22 aprile 1978) è stato un regista, produttore cinematografico e sceneggiatore britannico . Indice. 1 Biografia. 2 Filmografia parziale. 2.1 Regista. 2.2 Sceneggiatore. 2.3 Produttore. 3 Onorificenze. 4 Bibliografia. 5 Altri progetti. 6 Collegamenti esterni. Biografia.
1906–1961. Basil Herbert Dean CBE (27 September 1888 – 22 April 1978) was an English actor, writer, producer and director in the theatre and in cinema. He founded the Liverpool Repertory Company in 1911 and in the First World War, after organising unofficial entertainments for his comrades in the army, he was appointed do so ...
United Kingdom. Language. English. 21 Days (also known as 21 Days Together, The First and the Last and Three Weeks Together) is a 1940 British drama film based on the short 1919 play The First and the Last by John Galsworthy. It was directed by Basil Dean and stars Vivien Leigh, Laurence Olivier and Leslie Banks.
- 7 January 1940
Commandeur de l'ordre de l'Empire britannique. modifier - modifier le code - modifier Wikidata. Basil Dean est un réalisateur, producteur, scénariste, metteur en scène, dramaturge et acteur britannique, né à Croydon ( Grand Londres, Angleterre) le 26 mars 1887 1, mort à Londres (Angleterre) le 22 avril 1978 .
- Whitgift School (en)
Basil Dean. Producer: Mozart. Basil Dean first appeared as an actor on the British stage in 1906. He soon switched careers and began writing and directing plays. Turning to the film industry, he became a producer and director in 1928; many of the films he produced and directed were based on his own stage plays.
- January 1, 1
- Croydon, Surrey, England, UK
- January 1, 1
- Westminster, London, England, UK
Loyalties is a 1933 British drama film directed by Basil Dean and starring Basil Rathbone, Heather Thatcher and Miles Mander. It is based on the 1922 John Galsworthy play Loyalties. The film addresses the theme of anti-Semitism.
Basil Dean is a paradoxical figure in British cinema. Representing a theatrical approach to film-making much despised by modern critics, he is also responsible as producer for some of the most domestically successful films of the 1930s, and for establishing British cinema's two biggest stars of the period, George Formby and Gracie Fields.
