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Il bubblegum (conosciuto anche come bubblegum pop, bubblegum rock, bubblegum music o youth music) è un genere musicale nato negli Stati Uniti nella seconda metà degli anni '60 sottogenere del garage rock che unisce pop e rock indirizzato ai teenager o ai bambini e destinato al consumo di massa.
Bubblegum (also called bubblegum pop) is pop music in a catchy and upbeat style that is marketed for children and adolescents. The term also refers to a more specific rock and pop subgenre, [14] originating in the United States in the late 1960s, that evolved from garage rock , novelty songs , and the Brill Building sound , and which ...
- Late 1960s, United States
- Bubblegum pop
We Are Never Ever Getting Back Together. What the Hell. When You Are a King. Wife ( (G)I-dle song) Wings (Little Mix song) Wow (Kylie Minogue song) Categories: Bubblegum pop. Pop songs by genre.
2 apr 2019 · Robert Fontenot. Updated on 04/02/19. Also Known As: Bubblegum Pop, Bubblegum Rock, Sunshine Pop. The sub-genre of pop music originally known as "bubblegum" pop music is one of the very few dominated by a specific production team: in this case, Super K Productions, the team of Jerry Kasenetz and Jeffrey Katz, who scored the majority ...
"Simon Says" is a bubblegum pop song written by Elliot Chiprut and originally recorded in 1967 by the 1910 Fruitgum Company, becoming their most successful chart hit. The song was based on the children's game "Simon Says".
- "Reflections from the Looking Glass"
- December 1967
- 2:21
Bubblegum pop, is a style of pop music. It derives from synthpop. It is much like its predecessors, although it adds traditional nursery rhymes to a synth background. The Archies created this genre of music. "Sugar, Sugar" is the first song which The Archies made that is bubblegum pop.
3 gen 2012 · In truth, it could be said that most pop music, which embodies many of the ingredients mentioned above, is bubblegum music. During the late 1950s, a dramatic change in rock music occurred. In an effort to clean up the genre, which most adults of the ’50s detested, raw and uninhibited performers like Gene Vincent and Eddie Cochran were replaced with Frankie Avalon and Fabian.
