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Nainita Desai is a British composer of film, television and video game music. She is known for her scores for the films For Sama, The Reason I Jump and American Murder: The Family Next Door, and video game Telling Lies. In 2016, Nainita was named a BAFTA Breakthrough Brit.
- British
- 1998–present
- Composer
- London, England
With three recent Emmy nominations and an Emmy win in 2022, Nainita is also an RTS winner and double BIFA nominee. Desai was described by Empire Magazine in 2022 as one of the top composers to watch. She is also a Cinema Eye Honors nominee and has recently garnered MPSE Golden Reel, ASCAP, SCL, GANG, World Soundtrack Awards, and Develop game ...
Composer. Nainita Desai. About. Acclaimed with three recent Emmy nominations and an Emmy win in 2022, Nainita Desai is a Royal Television Society award winning composer. She won the World Soundtrack Awards Discovery of the Year 2021.
4 dic 2023 · Nainita Desai - Alliance for Women Film Composers. A Q&A with with Netflix’s American Murder Composer, Nainita Desai. You come from a very eclectic background – born and raised in London to Indian parents, you studied Sitar, Piano, Tabla, Violin, Singing and Guitar.
Nainita Desai - AIR Studios. Photo Credit: Bas Bogaerts. Profile. Following a degree in Maths and studying sound for film at the NFTS in the UK, Nainita Desai began her career as a sound designer on feature films for directors including Werner Herzog and Bertolucci, as well as assistant music engineering for Peter Gabriel.
28 mar 2019 · 28 Mar 2019. 8 min read. 'You never stop learning about music. The moment you stagnate musically, for is a very dangerous thing. Your creative growth is very important,' says award-winning media composer Nainita Desai. Her work traverses the worlds of television, film and gaming through mainstream scoring to more experimental sound design.
Since then, Nainita has built a reputation for powerful, distinctive scores, with her most recent for The Confessions of Thomas Quick earning her a 2016 Music+Sound Award for Best Music in a Feature Film. She describes composition as a “ never-ending pool….
