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  1. Aaron Richard Baskin (born December 1, 1948) is an American film composer and producer, best known as the musical director and producer of the Academy Award winning soundtrack for the Robert Altman film Nashville, and other creative film scores in the 1970s and 1980s.

  2. Aaron Richard Baskin (born December 1, 1948) is an American film composer and producer, best known as the musical director and producer of the Academy Award winning soundtrack for the Robert Altman film Nashville, and other creative film scores in the 1970s and 1980s.

  3. Welcome to L.A. è un film prodotto nel 1976 diretto da Alan Rudolph. La colonna sonora è curata da Richard Baskin. Trama. Un giovane musicista viene invitato, in occasione del Natale, a tornare a casa a Los Angeles, dopo tre anni di permanenza in Inghilterra.

    • 106 min
    • 1976
  4. Richard Baskin. Composer. Music Department. Director. IMDbPro Starmeter See rank. Richard Baskin was born on 1 December 1948 in Pasadena, California, USA. He is a composer and director, known for Nashville (1975), Welcome to L.A. (1976) and Rock 'n' Roll Hotel (1983). More at IMDbPro. Contact info. Agent info. Resume. Born December 1, 1948.

    • January 1, 1
    • Composer, Music Department, Director
    • Pasadena, California, USA
    • Richard Baskin
    • Plot
    • Cast
    • Analysis and Themes
    • Production
    • Release
    • Accolades
    • Legacy
    • See Also
    • Sources
    • External Links

    Hal Philip Walker, Replacement Party candidate in the 1976 United States presidential election, arrives in Nashville for a fundraising gala. Meanwhile, two recording sessions are taking place in a nearby studio: in one room, country superstar Haven Hamilton records a patriotic song commemorating the Bicentennial, while next door, Linnea Reese, a wh...

    Major characters Minor characters 1. Richard Baskin, the film's musical supervisor, wrote several of the songs performed in the film. He has a cameo as Frog, a session musician, appearing in several scenes. 2. Merle Kilgoreas Trout, the owner of a club that has an open-mic talent night that gives Sueleen Gay what she believes is her big break as a ...

    In a 1995 academic article published in American Quarterly, Paul Lauter, a professor of American Studies at Trinity College, compared the film to "a poststructuralist theoretical text", adding that "it invites, indeed valorizes, contradiction and seems designed to resist closure."As a result, he explained, "interpretations of the film have been wil...

    Screenplay

    The original screenplay for Nashville was written by Joan Tewkesbury, who had collaborated with Altman on several of his films, including McCabe and Mrs. Miller (1971) and Thieves Like Us (1974). She had proposed a Nashville-set film to Altman prior to his filming of McCabe & Mrs. Miller; he became interested in the setting and sent Tewkesbury to Nashville in the fall of 1973 to observe the area and its citizenry. Tewkesbury's diary of her trip provided the basis for the screenplay, with many...

    Casting

    As with most of Altman's feature films, he cast the roles using unorthodox methods, forgoing standard auditions and instead basing his decisions off meetings with individual actors. Geraldine Chaplin, daughter of Charlie Chaplin and Oona O'Neill, was the first to be cast, appearing in the role of Opal, the chatty journalist who has arrived from out of town to cover the gala. Screenwriter Tewkesbury, who had based the character of Opal on herself, selected Chaplin for the role long before the...

    Filming

    The film was shot on location in Nashville in the summer of 1974 on a budget of $2.2 million. In late June, the cast began arriving in Nashville; Carradine and Raines traveled together from Los Angeles, while Beatty arrived and hitched a camper where he resided along with his wife through the duration of the shoot. Beatty recalled an early meeting in which Altman had the cast convene prior to filming: "Bob gets us together in this room. We're all ready to start the movie. And he said, 'Look,...

    Box office

    The film was a box-office success, with theatrical rentals of $6.8 million in North America by 1976. According to a piece in Film Comment "it is still amazing to me that the impression was so prevalent in the cultural reaches of Manhattan that Nashville was one of the year's commercial blockbusters rather than, as it was, the twenty-seventh highest-grossing film of the year."The film grossed approximately $10 million in the United States.

    Critical response

    Nashville received significant attention from critics, with Patrick McGilligan of The Boston Globe writing that it was "perhaps the most talked about American movie since Orson Welles' Citizen Kane. Pauline Kael, film critic for The New Yorker, described it as "the funniest epic vision of America ever to reach the screen". Gene Siskel, Roger Ebert, and Leonard Maltin gave the film four-star reviews and called it the best film of 1975. In his original review, Ebert wrote "after I saw it I felt...

    Controversy

    The film was widely despised by the mainstream country-music community at the time of its release; many artists believed it ridiculed their talent and sincerity.Altman felt they were mad because he chose not to use their music in favor of letting the actors compose their own material. However, he stated the movie has since become popular in the city among more recent generations. The film garnered further attention in 1980 due to its climactic shooting scene of Barbara Jean, as it predated, b...

    Nashvillereceived numerous awards and nominations from various critical organizations, including a total of 11 Golden Globe nominations, which, as of 2022, are the most ever received by one film. It received four nominations in a single acting category; this was and remains unprecedented for major film award shows. It won a BAFTA Film Award for Bes...

    Plans were discussed for a sequel set 12 years later and titled Nashville 12, and most of the original players agreed to appear. In the script for the sequel, Lily Tomlin's character, Linnea, is running for political office; and Barnett now managing Connie White and obsessed with a Barbara Jean impersonator. Contemporarily, Nashville is regarded in...

    Smile – A similar satirical comedy drama, released in 1975, set at a state beauty pageant. It was adapted into a musicalin 1986.
    Allon, Yoram; Cullen, Del; Patterson, Hannah (2002). Contemporary North American Film Directors: A Wallflower Critical Guide. Wallflower Press. ISBN 978-1-903-36452-9.
    Stuart, Jan (2003). The Nashville Chronicles: The Making of Robert Altman's Masterpiece. New York: Limelight. ISBN 978-0-879-10981-3.
    Nashville essay by David Sterritt on the National Film Registrywebsite
    Nashville at IMDb
    Nashville at the TCM Movie Database
    Nashville at AllMovie
  5. Il baskin è uno sport di squadra, giocato da disabili e normodotati insieme. Il termine "baskin" è l'unione di "basket" e "inclusivo". Le regole e i campionati sono gestiti da EISI (Ente Italiano Sport Inclusivi).

  6. en.wikipedia.org › wiki › Burt_BaskinBurt Baskin - Wikipedia

    Burton “Burt” Baskin (December 17, 1913 – December 24, 1967) was an American businessman who co-founded the Baskin-Robbins ice cream parlor chain in 1946 with business partner and brother-in-law Irv Robbins.