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Website. www.wim-wenders.com. Ernst Wilhelm " Wim " Wenders ( German: [ˈvɪm ˈvɛndɐs]; born 14 August 1945) is a German filmmaker and playwright, who is a major figure in New German Cinema. [1] Among the honors he has received are prizes from the Cannes, Venice and Berlin film festivals.
- Filmmaker, director, screenwriter, playwright, author, photographer
- Full list
- 1967–present
- Ernst Wilhelm Wenders, 14 August 1945 (age 78), Düsseldorf, Germany
Wim Wenders, vero nome Ernst Wilhelm Wenders, è un regista, sceneggiatore e produttore cinematografico tedesco. Esponente di primo piano del Nuovo cinema tedesco, ha conosciuto il successo internazionale dirigendo pellicole quali Paris, Texas e Il cielo sopra Berlino, che gli sono valsi numerosi riconoscimenti di carattere ...
Budget. 5 million DM [3] Box office. USD$ 3.2 million [4] Wings of Desire ( German: Der Himmel über Berlin, pronounced [deːɐ̯ ˈhɪml̩ ˈʔyːbɐ bɛɐ̯ˈliːn] ⓘ; lit. 'The Heaven/Sky over Berlin') is a 1987 romantic fantasy film written by Wim Wenders, Peter Handke and Richard Reitinger, and directed by Wenders. The film is about ...
27 apr 2024 · Wim Wenders (born August 14, 1945, Düsseldorf, Germany) is a German film director who, along with Rainer Werner Fassbinder and Werner Herzog, was one of the principal members of the New German Cinema of the 1970s. During the late 1960s Wenders studied at the University of Television and Film Munich while working as a film critic.
Ernst Wilhelm "Wim" Wenders is a German filmmaker, playwright, author, and photographer. He is a major figure in New German Cinema. Among the honors he has received are prizes from the Cannes, Venice and Berlin film festivals. He has also received a BAFTA Award and been nominated for three Academy Awards and a Grammy Award.
Alice in the Cities (German: Alice in den Städten) is a 1974 German road movie directed by Wim Wenders. It is the first part of Wenders' " Road Movie trilogy ", which also includes The Wrong Move (1975) and Kings of the Road (1976).
4 gen 2024 · Chi è Wim Wenders: l’uomo che catturò lo spazio. “ Ogni scena, ogni inquadratura deve emanare leggerezza e calma. Il film come forma che tende alla chiusura, ma allo stesso tempo tende a ...
