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An audio engineer (also known as a sound engineer or recording engineer) [1] [2] helps to produce a recording or a live performance, balancing and adjusting sound sources using equalization, dynamics processing and audio effects, mixing, reproduction, and reinforcement of sound.
- Acoustical engineering
Acoustical engineering (also known as acoustic engineering)...
- Audio Engineering Society
The Audio Engineering Society (AES) is a professional body...
- Acoustical engineering
Acoustical engineering (also known as acoustic engineering) is the branch of engineering dealing with sound and vibration. It includes the application of acoustics , the science of sound and vibration, in technology.
An audio engineer (also known as a sound engineer or a recording engineer) is a professional who assists in the production of a recording or a live performance by balancing and adjusting sound sources using equalisation, dynamics processing, and audio effects, as well as mixing, reproducing, and enhancing sound.
La AES è composta da tecnici, scienziati, ingegneri, fabbricanti e da altre organizzazioni e individui facenti parte dell'industria dell'audio professionale, inclusi cinema, televisione e ogni mezzo di comunicazione che comprenda la produzione audio come sua parte.
- History
- Membership
- Conventions and Conferences
- Technical Council
- Standards
- Gold Medal Recipients
- British Section
- Connection with The VDT
- See Also
- External Links
The idea of a society dedicated solely to audio engineering had been discussed for some time before the first meeting, but was first proposed in print in a letter by Frank E. Sherry, of Victoria, Texas, in the December 1947 issue of the magazine Audio Engineering. A New York engineer and audio consultant, C.J. LeBel, then published a letter agreein...
As of 2020[update] has over 12,000 members.Members elect a Board of Governors and officers, who jointly set policies and procedures for the Society. The AES is a tax-exempt, 501(c)(3) non-profit corporation headquartered in New York.
The AES produces two conventions each year as well as a number of topic-specific conferences. The fall convention is in North America and the spring convention is in Europe. The first convention was in 1949.
23 Technical Committees advise the AES Technical Councilon emerging trends and areas of interest in the audio engineering community. The Committee meetings, held at Conventions, are open to participation by members and non-members alike, and are the venue for planning workshops, seminars and conferences in specific technical areas.
The AES has been involved in setting technical standards for audio since 1977. The AES Standards Committee (AESSC), through a consensus system open to anyone materially affected by such standards, develops and publishes a number of standards on the subject of analog and digital audio recording, transmission, and/or reproduction. Notable standards i...
The AES Gold Medal is the Society's highest honor, and given in recognition of outstanding achievements, sustained over a period of years, in the field of Audio Engineering. The award was established in 1971; it was formerly known as the John H. Potts Memorial Award.
The AES British Section, which was the first and is also the largest outside the US, issues a monthly newsletter and holds regular lectures, usually in London, with occasional visits to studios and other places of interest. Lectures, which are often on topics of topical interest to audio enthusiasts are usually recorded, with past lectures availabl...
Although there are several German sections of the AES and there is no formal connection to the Verband Deutscher Tonmeister, the goals and activities of both organizations are closely related and there are several instances of double memberships, e.g. in the persons of Benjamin Bernfeld, Gerhard Steinkeand Günther Theile.
Media related to Audio Engineering Societyat Wikimedia CommonsProviding a forum for new ideas, as a vehicle for the dissemination, application and implementation of leading-edge research, as archivists of the sum total of audio knowledge, the AES is the global authority in the audio sciences.
An engineer learns about the use and placement of microphones, how to operate and maintain an audio mixer, recording deck, sound effects, and other machines, and how to switch between live and recorded sounds, to make the best, and often the most unique, recording possible.
