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Steve Yedlin, ASC - Director Of Photography
- ResDemo
Steve Yedlin, ASC - ResDemo
- An Intro for Filmmakers
BACK TO YEDLIN.NET. ON COLOR SCIENCE FOR FILMMAKERS by Steve...
- Matching Lens Blur
-Steve * PERSPECTIVE. I've put an asterisk next to the word...
- Commercials
Steve Yedlin - Commercials
- Feature Films
Explore the feature films of Steve Yedlin, a cinematographer...
- #NerdyFilmTechStuff
Under the #NerdyFilmTechStuff hashtag on Twitter (formerly...
- ON FILM GRAIN EMULATION
I've seen real life examples of someone scanning gray fields...
- ResDemo
Steven Mark Yedlin, ASC (born September 29, 1975) is an American cinematographer who studied at the USC School of Cinematic Arts. He is best known for his collaboration with director Rian Johnson in his films. Yedlin is a member of the American Society of Cinematographers since 2015.
YearTitleDirector2025Rian Johnson20242022Rian Johnson2019Rian JohnsonAt this point you might be thinking: all right Steve, this sounds great, but I'm a filmmaker, not a scientist or a programmer or a mathematician; how can I hope to identify these attributes individually let alone manipulate them in an aesthetically meaningful way with mathematical expressions?
Explore the feature films of Steve Yedlin, a cinematographer who combines artistic vision and color science to create stunning images.
Steve Yedlin is a cinematographer and visual effects supervisor who has worked on films such as Looper, Star Wars: The Last Jedi and Knives Out. He was born in Los Angeles in 1975 and is a member of the American Society of Cinematographers.
- Steve Yedlin
- September 29, 1975
19 dic 2017 · Cinematographer Steve Yedlin, a longtime creative collaborator of director Rian Johnson, describes bringing the latest 'Star Wars' together.
Steve Yedlin talks about his cinematography for Winner, a movie based on the true story of Reality Winner, a whistleblower who leaked an intelligence report on Russian interference in the 2016 election. He discusses his artistic goals, camera choice, lighting approach and challenges of the low-budget production.