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Conrad Lafcadio Hall, ASC (June 21, 1926 – January 4, 2003) was a French Polynesian-born American cinematographer. Named after writers Joseph Conrad and Lafcadio Hearn , he became widely prominent as a cinematographer earning numerous accolades including three Academy Awards (with ten nominations), three BAFTA Awards and five ...
In the early 1960s, Hall was hired as a camera assistant on several features and worked his way up to camera operator. He received his first cinematographer credit in 1965. Hall won acclaim for his rich and complex compositions, especially for In Cold Blood (1967) and won an Academy Award for Butch Cassidy and the Sundance Kid (1969).
- January 1, 1
- Papeete, Tahiti, French Polynesia
- January 1, 1
- Santa Monica, California, USA
8 gen 2003 · Esteemed three-time Oscar-winning cinematographer Conrad L. Hall, ASC — who helped changed the face of modern motion pictures with his camerawork in such films as The Professionals, In Cold Blood, Cool Hand Luke, Butch Cassidy and the Sundance Kid, American Beauty and Road to Perdition — died on January 4, 2003 at the age of 76.
- Stephen Pizzello
6 gen 2003 · Conrad L. Hall, the cinematographer whose diverse visual vocabulary proved so enduring he won Academy Awards 30 years apart, has died, it was announced Sunday. He was 76. Hall died Saturday...
8 gen 2003 · By Rick Lyman. Jan. 8, 2003. Conrad L. Hall, a Hollywood cinematographer with a bohemian's soul and an artist's obsessiveness, who was nominated for nine Oscars and won two of them, three...
Mini Bio. Born in Tahiti, the son of writer James Norman Hall, author of "Mutiny on the. Bounty," Conrad Hall studied filmmaking at USC. He and two classmates. formed a production company and sold a project to a local television. station. Hall's company branched out into making industrial films and. TV commercials.
24 gen 2003 · After watching his extraordinary work, it is surprising that Hall picked the ‘job’ of cinematographer out of a hat. Literally. In 1955, as part of a three-man production group starting a film, they had to decide who would do what. “We all wanted to direct it,” Hall remembers.
