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  1. 5 giorni fa · Fri, May 17, 2024, 3:19 AM EDT · 2 min read. After nearly two years of planning, the digital platform “The Gleaners and I: Revisiting Agnès Vardas Edit” is about to go live.

  2. 4 giorni fa · Varda focuses her eye on gleaners: those who scour already-reaped fields for the odd potato or turnip. Her investigation leads from forgotten corners of the French countryside to off-hours at the green markets of Paris, following those who insist on finding a use for that which society has cast off, whether out of necessity or activism.

    • (169)
    • 2000
    • Self; Self; Self
    • Agnès Varda
  3. 12 mag 2024 · Trama. La cineasta Agnès Varda e l’artista e fotografo JR visitano villaggi, piccole città, fabbriche di una Francia fatta di volti e comunità dimenticate, facendone un ritratto commovente e cercando di modificare l’idea stessa di territorio.

  4. 1 mag 2024 · Matt writes: The full line-up for our 21st annual Roger Ebert's Film Festival (a.k.a. Ebertfest), running Wednesday, April 10th, through Saturday, April 13th, is now available on RogerEbert.com. We are dedicating the festival this year to the memory of one of our favorite actors and frequent guests, Scott Wilson, whose great 1984 film "A Year ...

  5. 24 apr 2024 · Luckily, in Varda’s case, we have Varda By Agnès, the filmmaker’s final work, released just months after her passing. It’s as much a tribute to Varda herself as it is a map that overlays her body of work with her practice of cinécriture (cinematic writing) to reveal, through Varda’s own words, the playful and insightful eye and the tender precision that can be traced through her films.

  6. 2 giorni fa · Sábado, Mayo 25, 2024 - 23:21. Directora emblemática de la posguerra, iniciadora de la Nouvelle Vague, aclamada en vida por Hollywood, Agnès Varda (1928-2019) ofreció una obra poco común, abierta al mundo, comprometida con los más débiles, a menudo alocada.

  7. 30 apr 2024 · Reservations strongly recommended on the LUMA Arles website Last entry: 6.45pm. BILLETTERIE. At the heart of the third chapter of the Hans-Ulrich Obrist archive at LUMA Arles lies his encounter with Agnès Varda (1928-2019), the filmmaker, feminist, and pioneer artist, central to the French New Wave film movement of the 50s and 60s.