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26 apr 2024 · Is "Challengers" too ambitious for its own good? Or too much? Or less than meets the eye, as the late, great Village Voice critic Andrew Sarris might have put it? Probably. It kinda gets sucked into the vortex of its own narrative and technical ambitions in the final stretch.
2 mag 2024 · In 1962, the film critic Andrew Sarris popularized the idea of film authorship in the US: he created a nine-part schema to rank a large number of directors, thus beginning a formative debate about the films that might constitute a canon of great work.
28 apr 2024 · Share this post. Andrew Sarris in the Village Voice for 11 June, 1970, on Aldrich's "Too Late the Hero" dkholm.substack.com
3 giorni fa · I believe this is relevant because (according to Andrew Sarris) it is the director who is the sole author of his work, the auteur. It is the responsibility of every director to raise the status of cinema from just entertaining its audience to being a high art form (by personalizing their films).
13 mag 2024 · His contributions to film criticism can be found in Magill's Cinema Annual, VideoHound's Golden Movie Retriever (of which he was the editor for nearly a decade until it too ceased to exist), the International Dictionary of Films and Filmmakers, and the St. James Film Directors Encyclopedia (on which he collaborated with editor Andrew Sarris).
29 apr 2024 · Arising in France in the late 1940’s, the auteur theory, as it was dubbed by the American film critic Andrew Sarris, was an outgrowth of the cinematic theories of Andre Bazin and Alexandre Astruc, (French film critics and theorists).
8 mag 2024 · However, as a dimension of consistency becomes systematically integrated into the concept of auteur through Cahiers du Cinéma critics’ (including Truffaut himself) subsequent emphasis on stylistic consistency, Andrew Sarris’s particularly consequential emphasis on the consistency of personality, then auteur-structuralists’ emphasis on thematic consistency, and the more recent emphasis ...
