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1 ago 2008 · This edition of Open examines the diverse stands currently adopted by the visual arts in the public domain, and assesses the impact of digitization and globalization on the public role of art. As such, it constitutes a sort of stock-taking or evaluation of positions regarding this broad trend.
1 gen 2007 · In the wake of these developments, the artistic space of art and its institutions is also repeatedly considered as a social or even political space, as a public issue. The aesthetic and the political are played off against each other, and new questions are being formulated about autonomy and serviceability.
Art as a 'Public' Issue was a one-day symposium to celebrate the launch of OPEN 14 - an anthological publication examining how art and its institutions inform notions of public space. Organised by Situations, in partnership with SKOR, the Netherlands and the Serpentine Gallery, London, this symposium brought together
- The Political as Antagonism
- Politics as Hegemony
- The Public Space
- Critical Artistic Practices and Hegemony
The point of departure of the theoreti-cal reflections that I am going to present is the difficulty that we currently have in our post-political age for envisaging the problems facing our societies in a politi-cal way. Contrary to what neoliberal ide-ologists would like us to believe, political questions are not mere technical issues to be solved b...
Next to antagonism, the concept of hegemony is, in my approach, the other key notion for addressing the ques-tion of ‘the political’. To acknowledge the dimension of ‘the political’ as the ever-present possibility of antagonism requires coming to terms with the lack of a final ground and the undecidability which pervades every order. In other words...
To bring to the fore the relevance of the agonistic model of democratic politics for artistic practices, I want to examine its consequences for visu-alizing the public space. The most important consequence is that it chal-lenges the widespread conception that, albeit in different ways, informs most visions of the public space, conceived as the terr...
We are now in a condition to under-stand the relevance of the hegemonic conception of politics for the field of artistic practices. However, before addressing this question, I would like to stress that according to the approach I am advocating, one should not see the relation between art and politics in terms of two separately constituted fields, a...
Art as a public issue : how art and its institutions reinvent the public dimension. Responsibility. contributions by Chantal Mouffe ... [et al.]. Imprint. Rotterdam : NAi Publishers ; Amsterdam : SKOR ; New York, NY : Available in North, South and Central America through D.A.P., c2008. Physical description.
1 gen 2007 · Art as a Public Issue. Art and Democracy. Art as an Agonistic Intervention in Public Space. Chantal Mouffe. January 1, 2007 essay, 3.541 words. The Belgian political philosopher Chantal Mouffe defines the public space as a battleground on which different hegemonic projects are confronted, without any possibility of final reconciliation.
Art as a public issue : how art and its institutions reinvent the public dimension | Semantic Scholar. Corpus ID: 153102226. Art as a public issue : how art and its institutions reinvent the public dimension. C. Mouffe. Published 2008. Art, Political Science. No Paper Link Available. Save to Library. Create Alert. Cite. 10 Citations. Citation Type.
