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  1. 14 ore fa · Photo | Reuters. France: ‘The Apprentice’, Iran-born director Ali Abbasi's much-anticipated drama of a young Donald Trump's ascendancy as a New York real estate mogul, premiered at the Cannes Film Festival on Monday. Part of the pull of the film is its timing, as Trump, now 77, looks to win another term as US president in November.

  2. 1 giorno fa · CANNES, France — “The Apprentice”, Iran-born director Ali Abbasi’s much-anticipated drama of a young Donald Trump’s ascendancy as a New York real estate mogul, premiered at the Cannes Film Festival on Monday. Part of the pull of the film is its timing, as Trump, now 77, looks to win another term as U.S. president in November. The film ...

  3. 1 ora fa · CANNES, France – “The Apprentice,” Iran-born director Ali Abbasi’s much-anticipated drama of a young Donald Trump’s ascendancy as a New York real estate mogul, premiered at the Cannes Film Festival on Monday. Part of the pull of the film is its timing, as Trump, now 77, looks to win another term as US president in November. The film ...

  4. 1 ora fa · Director Ali Abbasi, producers Amy Baer, Daniel Bekerman and Jacob Jarek, and cast members Maria Bakalova, Sebastian Stan and Martin Donovan pose on the red carpet during arrivals for the screening of the film "The Apprentice" in competition at the 77th Cannes Film Festival in Cannes, France, May 20, 2024.

  5. 4 ore fa · "The Apprentice", Iran-born director Ali Abbasi's much-anticipated drama of a young Donald Trump's ascendancy as a New York real estate mogul, premiered at the Cannes Film Festival on Monday. Part of the pull of the film is its timing, as Trump, now 77, is contesting the U.S. elections in November as Republican presidential candidate.

  6. 1 giorno fa · Sea Monsters: A Prehistoric Adventure transports you 82 million years back in time to the Cretaceous period when an extraordinary diversity of marine life populated vast ocean waters.

  7. 1 ora fa · Where the film likely loses some is its lack of probing questions, listening mostly to Lula’s side of controversies. A few more perspectives could have offered greater insight into the opposition’s claims. However, Stone remains transparent about his aim to capture this iconic figure through admiring eyes.