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A Bar at the Folies-Bergere was presented by Manet at the 1882 Paris Salon exhibition, just one year before his death. The painting is the culmination of his interest in scenes of urban leisure and spectacle, a subject that he had developed in dialogue with Impressionism over the previous decade. The painting is a masterpiece that has perplexed ...
6 dic 2023 · Dr. Beth Harris: [0:06] We are in the Courtauld Galleries looking at Manet’s “Bar at the Folies-Bergère.” Dr. Steven Zucker: [0:10] This is a painting that takes place in a café-concert, a bar with entertainment, but the entertainment was a little more circus-like than we’re used to.
5 nov 2019 · Un bar aux Folies-Bergère Oeuvre d'Édouard Manet (1832-1883) 1882 Huile sur toile The Courtauld Gallery, Londres (Samuel Courtauld Trust) Don de Courtauld, 1932 Le tableau de Manet est un des fleurons de la collection Courtauld. C'est le dernier tableau de l'artiste qui était très malade quand il l'a peint.
El legado de Un bar de Folies-Bergère. Como la última obra importante de Manet, Un bar del Folies-Bergère encarna todos los rasgos por los que el artista francés es famoso. Con una composición compleja, no se limita a captar un momento dentro del Folies-Bergère. En su lugar, ofrece una ventana al glamour, la emoción y el aislamiento de ...
Um Bar em Folies-Bergère (fr: Un bar aux Folies-Bergère) é um óleo sobre tela de pintado por Édouard Manet e exibido no Salão de Paris em 1882. O quadro foi a última grande obra do pintor francês. O bar retrata uma cena do café-concerto Folies-Bèrgere, em Paris. A cena, ao contrário do que aparenta, não foi pintada no Folies ...
LE BAR AUX FOLIES-BERGÈRE. Oil on Canvas. 47 x 56 cm. 1881. Lochard, n° 265. Sketch for the painting in the Courtauld Collection, n° 388. On the Lochard Photograph, n° 265, we see that the counter was not painted originally. It was later added by a foreign hand. The dimensions were also changed.
23 gen 2022 · Édouard Manet, Il bar delle Folies-Bergère, 1882, Olio su tela, 130 x 96 cm, Londra, Courtauld Gallery. In quest’opera Manet raffigura uno spaccato della quotidianità di un caffè parigino, ritrovo di una certa borghesia. Il primo piano dell’opera propone una natura morta, poggiata sul banco del bar, tagliato dal bordo inferiore del quadro.
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