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  1. Loden, Barbara (1934–1980)American actress and film director. Name variations: Barbara Loden Kazan. Born Barbara Ann Loden in Asheville, North Carolina, in 1934; died of cancer in New York City on September 5, 1980; daughter of George T. Source for information on Loden, Barbara (1934–1980): Women in World History: A Biographical Encyclopedia dictionary.

  2. 14 feb 2020 · Film still from Wanda. Directed by Barbara Loden. Foundation for Filmmakers, 1970. It is interesting that Léger uses Loden’s first name when writing about her, dismissing all pretense of equality between her and her subject. Furthermore, Léger’s assessment that Wanda’s story is “a commonplace story” is incorrect.

  3. Barbara Loden (Marion, 8 luglio 1932 – New York, 5 settembre 1980) è stata un'attrice, sceneggiatrice e regista statunitense. Biografia. Nel 1964 vinse il ...

  4. 11 mar 1971 · What he tried to do was get me to do what I wanted to do, and that's not the way he would have done it.”. “Wanda” was shot in 16mm and printed in 35mm. Miss Loden wrote the screenplay nine ...

  5. Barbara Loden. Actress: Wanda. A one-time pin-up beauty and magazine story model, Barbara Loden studied acting in New York in the early 50s and was on the Broadway boards within the decade. She was discovered for films by legendary producer/director Elia Kazan who was impressed with what she did in a small role as Montgomery Clift's secretary in Wild River (1960). He moved her up to feature ...

  6. Barbara LODEN (1932, USA) was a notable film and stage actress and film director. A one-time pin-up beauty and magazine story model, she was discovered for films by legendary producer and director Elia Kazan. At the time of her death from cancer at the age of 48, she was married to him, and together they had two children.

  7. 29 lug 2021 · Wanda does not brook the comforts of positivity, of aspiration, or even the luxury of selfhood. This film, Still Life contends, is so radical in its feminist-anti-capitalist politics of refusal that we are still struggling to keep up with it. It delineates precisely how the personal is political and why this matters now more than ever.

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