Risultati di ricerca
1 mag 2024 · Notable Works: “Psycho”. Bernard Herrmann (born June 29, 1911, New York, N.Y., U.S.—died Dec. 24, 1975, Los Angeles, Calif.) was an American composer and conductor, widely recognized for his film scores. His music for Psycho (1960) has remained a paragon of suspense-film sound tracks. Herrmann was born into a family of Russian ...
1 giorno fa · Bernard Herrmann's opening theme has been sampled by rapper Busta Rhymes on his song "Gimme Some More" (1998). Manuel Muñoz 's 2011 novel What You See in the Dark includes a sub-plot that fictionalizes elements of the filming of Psycho , referring to Hitchcock and Leigh only as "The Director" and "The Actress". [246]
3 mag 2024 · The Academy Award for Best Original Score is an award presented annually by the Academy of Motion Picture Arts and Sciences (AMPAS) to the best substantial body of music in the form of dramatic underscoring written specifically for the film by the submitting composer. [1] Some pre-existing music is allowed, though, but a contending film must ...
23 apr 2024 · Music Performed by London Philharmonic Orchestra. Quartet Records, in collaboration with Decca Classics and Universal Music Enterprises, presents a remastered CD edition of the unique, fascinating and controversial Bernard Herrmann recording of Gustav Holst’s THE PLANETS.
2 giorni fa · essayist. journalist. Signature. Walter Whitman Jr. ( / ˈhwɪtmən /; May 31, 1819 – March 26, 1892) was an American poet, essayist, and journalist. He is considered one of the most influential poets in American literature. Whitman incorporated both transcendentalism and realism in his writings and is often called the father of free verse. [1]
23 apr 2024 · Quartet Records, in collaboration with Decca Classics and Universal Music Enterprises, presents a remastered CD edition of the unique, fascinating and controversial Bernard Herrmann recording of Gustav Holst’s THE PLANETS.
5 mag 2024 · Bernard Herrmann, born Max Herman on June 29, 1911, earned a remarkable place in the annals of music history with his profound impact on film scoring. His venture into the world of music was illumined with an Academy Award for 'The Devil and Daniel Webster' in 1941, and he became an emblematic figure in cinematic composition.
