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Tait's first and only feature, this film was made when she was 74. —Edinburgh International Film Festival. ... Blue Black Permanent 1h 25m
BLUE BLACK PERMANENT. 5/10. UK 1992 : Margaret TAIT : 84 mins. Overrated sole feature from Tait, a 74-year-old Orcadian highly praised for the many poetic short films she’d directed over the preceding decades. In modern-day Edinburgh, photographer Barbara (Celia Imrie) ponders the fate of her mother Greta (Gerda Stevenson), who drowned in ...
Blue Black Permanent is a film directed by Margaret Tait with Celia Imrie, Jack Shepherd, Gerda Stevenson, James Fleet .... Year: 1992. Original title: Blue Black Permanent. Synopsis: Barbara Thorburn wiles away the hours with memories of Greta, her mother, the poet.You can watch Blue Black Permanent through flatrate on the platforms: OVID
Blue Black Permanent. Tait’s debut feature is a haunting and magical film about a daughter’s attempts to come to terms with her mother’s mysterious death, not only through examining her own childhood memories but also going back further in time, to tales of her mother’s own childhood. Rentals include 30 days to start watching this video ...
7 nov 2018 · Engaging, poetic story of three generations of Scottish women made by artist Margaret Tait. Drama 1992 86 mins. Director: Margaret Tait. CC. Rent for £3.50. Overview Overview. Margaret Tait's tale of three generations of women in a Scottish family swirls out through a series of interlinking stories and recollections, taking place in Edinburgh ...
12 giu 2019 · Film title: Blue Black Permanent. Director: Margaret Tait. Starring: Celia Imrie, Gerda Stevenson, Jack Shepherd and James Fleet. Release date: 17 Jun. Certificate: PG. Margaret Tait’s career as a poet and filmmaker stretched from the early 1950s almost all the way through to her death in 1999, during which time she proved herself one of 20th ...
4/10. A strange, somewhat banal picture. MOscarbradley 22 August 2018. The only feature film to be directed by Margaret Tait, made when she was in her seventies, is this memory piece that looks at the lives of three generations of Scottish women. It's a demanding, non-narrative picture as much concerned with buildings, props and landscapes as ...
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