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  1. Pink is the tenth album by Japanese experimental music band Boris. It was originally released in 2005 through Diwphalanx Records in Japan and subsequently reissued in 2006 by American label Southern Lord Records . The album's length was extended significantly on the LP version of the album. For the 2006 reissue of Pink, the album's cover art ...

  2. Blank was born on 15 January 1952 in Bern, Switzerland. He is the musical part of Yello. He composes the songs and is responsible for the characteristic sound, having the reputation of a perfectionist. [3] Blank considers himself as a constructor of music, starting composing with manipulation of self-recorded samples and finishing the tracks ...

  3. Explore Boris's discography including top tracks, albums, and reviews. Learn all about Boris on AllMusic.

  4. en.wikipedia.org › wiki › BXI_(EP)BXI (EP) - Wikipedia

    BXI. (EP) BXI is a collaborative EP by the Japanese band Boris and the Cult lead vocalist Ian Astbury. The EP was released in September 2010 in CD, black, blue and pink vinyl, and digital formats through Southern Lord Records. [2] Boris and Ian Astbury had performed live together, including on May 30, 2010, at the Sydney Opera House and on ...

  5. Aquarium or Akvarium (Russian: Аквариум; often stylized as Åквариум) is a Russian rock group formed in Leningrad in 1972. The band is considered one of the founders of Russian rock. [1] [2] Aquarium has had many line-up changes over its history, and lead singer and founder Boris Grebenshchikov is the only remaining original member.

  6. Order "For Merit to the Fatherland" (4th class) Boris Borisovich Grebenshchikov (Russian: Борис Борисович Гребенщиков; born. () 27 November 1953) is a prominent member of the generation which is widely considered to be the "founding fathers" of Russian rock music. He is the founder and lead singer of the band Aquarium ...

  7. Pitchfork called No the best Boris album in a decade, squeezing the band's many interests into "these breathless 40 minutes." [4] Treble magazine noted that the album "cuts right through the feedback and drone in the interest of a more direct delivery of thrashy riffs and crust-punk intensity."