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Bruce Broughton. Music Department: Lost in Space. Bruce Broughton composes in almost every medium, from theatrical motion pictures and television to computer games, in styles ranging from large symphonic settings ("Silverado") to contemporary electronic scores (the recently Emmy-nominated "The Dive from Clausen's Pier"). Broughton has written the scores for such major motion pictures as ...
Shadow Conspiracy. Shot (2017 film) Silverado (film) A Simple Wish. So I Married an Axe Murderer. Soarin'. Square Dance (film) Stay Tuned (film) Stormin' Home.
Bruce Harold Broughton (born March 8, 1945) is an American orchestral composer of television, film, and video game scores and concert works. He has composed several highly acclaimed soundtracks over his extensive career and has contributed many pieces to music archives, including the 1994 version of the 20th Century Studios fanfare, and conducting the Cinergi Pictures logo composed by Jerry ...
Bruce Broughton (March 8, 1945–) is an American orchestral composer of television, film, and video game scores and concert works. Quotes [edit] Film music is always and only accompaniment. Whether it’s loud or occasionally important in itself, it’s what it is because of where it is — how it’s placed in the film.
Bruce Broughton (natawo niadtong Marso 8, 1945) mao ang usa ka American orkestra kompositor sa telebisyon, salida, ug video game iskor ug sa concert nga mga buhat. Siya adunay gilangkuban sa pipila ka mga nga gidayeg kaayo nga soundtracks sa ibabaw sa iyang halapad nga career, ug siya adunay siyam ka midaog sa Emmy Awards ug nga nominado alang sa usa ka Academy Award for Best Original Score .
According to M. Leon Broughton, author of Broughton Memoirs (1962, Second Edition): [1] "The name Broughton is often derived from the Saxon "Broc", which means brook or broken land; and "Tun", the dwelling or town. In King Ethelred ’s charter to the monastery of Shaftesbury, England, 1001 AD, Elfwig ’s boundaries at Broctun are mentioned.
It's not as rousing as it thinks, despite the efforts of Bruce Broughton's strident score, but looks terrific - all big skies and wide-open spaces." [17] In an entirely negative critique, film critic Jay Scott of The Globe and Mail said the all too familiar "manipulative Star Wars -style score is the only novelty on tap in Silverado , which has a plot too drearily complicated and arid to ...
