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Change the Show is the fourth studio album by English musician Miles Kane, released on 21 January 2022 through BMG Rights Management. Background and recording [ edit ] Kane had initially finished recording the album in early 2021, but decided to re-record it after an "impromptu collaboration" with Oscar Robertson and Dave Bardon of Sunglasses ...
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- BMG
- 21 January 2022
Change the Show è il quarto album in studio da solista del musicista inglese Miles Kane, pubblicato nel 2022. Tracce. Tears Are Falling – 3:01; Don't Let It Get You Down – 3:59; Nothing's Ever Gonna Be Good Enough (featuring Corinne Bailey-Rae) – 2:32; See Ya When I See Ya – 3:01; Never Get Tired of Dancing – 3:38
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- 21 gennaio 2022
Official video for Change The Show by Miles Kane. The new album ‘Change The Show’ by Miles Kane is out 21st January. Pre-order here: https://mileskane.lnk.to...
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- 134,1K
- MilesKaneMusic
21 gen 2022 · Change The Show. 21 Gennaio 2022. Apri scheda >. Valerio Di Marco. 24 Gennaio 2022. 6.8. Se cambia spettacolo come cambia fede calcistica, stiamo freschi. Una delle curiosità su Miles Kane è che un po’ di tempo fa da tifoso del Manchester United lo è diventato del Liverpool. Non sappiamo quando sia avvenuta la conversione ...
Recensioni. Miles Kane Change The Show. 7.5. Enrico Baroni. “ I’m back ”. Per farla breve e in stile Micheal Jordan (per chi si intende anche di basket) questo è il messaggio di Miles Kane, ad ormai 4 anni di distanza da Coup De Grace e a 5 mesi dal primo singolo del nuovo album.
Miles Kane – Change The Show. More images. Tracklist. Credits (10) Aidan Cochrane. Artwork. Holly Quinn-Ankrah * Backing Vocals. David Bardon. Bass, Guitar, Percussion, Drums, Keyboards. João Mello * Horns, Backing Vocals, Keyboards. MATT * Lacquer Cut By. Miles Kane. Lead Vocals, Guitar, Backing Vocals. Show more credits... Versions. Filter by.
19 gen 2022 · After a fraught few years, the Wirral singer-songwriter searches for comfort in new beginnings on his fourth album. By Sophie Williams. 19th January 2022. Credit: Lauren Luxenberg. On ‘Change ...