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  1. Chapter 4: Labor Pains is the fifth studio album by American singer Syleena Johnson. It was released digitally on December 23, 2008, and physically on January 13, 2009, on Johnson's own label, Aneelys Entertainment, after her departure from longtime record company Jive Records.

    No.
    Title
    Writer (s)
    Producer (s)
    1.
    "Intro"
    Syleena Johnson K. Garris DeMone Hobbs C.
    C.J. Johnson Hobbs Orr
    2.
    "Labor Pains"
    Syleena Johnson Hobbs C.J. Johnson Orr
    C.J. Johnson Hobbs Orr
    3.
    "Where's the Love" (featuring Teefa)
    Syleena Johnson Lateefa Harland Hobbs C.J.
    C.J. Johnson Hobbs Orr
    4.
    "Freedom"
    Syleena Johnson Byron Bowies William ...
    Frederick "Toxic" Taylor
    • Aneelys
    • Donald Alford, Steven Dukes, Darren "Limitless" Henson, DeMone Hobbs, C.J. Johnson, Nate Q, Jason Orr, Keith Pelzer, Redstorm, Toxic
    • 62:22
    • December 23, 2008
  2. Chapter 4: Labor Pains è il quinto album della cantante statunitense Syleena Johnson, pubblicato su internet nel 2008 da Federal Distribution e Aneely's Entertainment. Il disco fisico esce il 19 gennaio 2009.

    • 62:22
    • 23 dicembre 2008
  3. 13 gen 2009 · Chapter 4: Labor Pains is the fourth commercial studio album (Fifth overall) by R&B singer Syleena Johnson. It was her first album after her departure with Sony Music’s...

  4. 13 gen 2009 · Chapter 4: Labor Pains by Syleena Johnson released in 2009. Find album reviews, track lists, credits, awards and more at AllMusic.

    • (28)
  5. View credits, reviews, tracks and shop for the 2009 CD release of "Chapter 4: Labor Pains" on Discogs.

    • (6)
    • US
    • 6
    • CD, Album
  6. Chicago chanteuse, Syleena Johnson, has long teetered somewhere between Millie Jackson and Kelly Price. On her fourth project, Ms. Johnson fell down in Millie-land and-if the chosen landing heard here is to be believed-she won't be getting up anytime soon.

  7. 7 giu 2021 · Chapter 4: Labor Pains starts off fairly well with some good tunes mentioned below, but from the 'Interlude' at track seven, every track afterwards struggles to evoke any enjoyment out me. Production wise and from a vocally building up perspective from Syleena, a lot of it is fairly boring.