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  1. Cherríe Moraga (born September 25, 1952) is a Xicana feminist, writer, activist, poet, essayist, and playwright. She is part of the faculty at the University of California, Santa Barbara in the Department of English since 2017, and in 2022 became a distinguished professor.

  2. Cherríe Moraga è un'attivista, scrittrice e drammaturga statunitense. Fa parte della facoltà di lingua inglese presso l'Università della California, Santa Barbara. Moraga è anche un membro fondatore del gruppo di attivisti per la giustizia sociale La Red Chicana Indígena, un'organizzazione di chicani che si batte per l'istruzione, i ...

  3. LATEST WORKS. BOOKS. More. THEATER. More. Originally from San Gabriel, California, Cherríe Moraga is the co-editor of This Bridge Called My Back: Writings by Radical Women of Color with Gloria Anzaldúa. She is a Professor of English at UC Santa Barbara, where she co-directs Las Maestras Center for Xicana Indigenous Thought & Art Practice.

  4. Cherríe Moraga. Professor. Cherríe Moraga is an internationally recognized poet, playwright, essayist and memoirist who initiated her public writing life as the co-editor (with Gloria Anzaldúa) of the avant-garde feminist work, This Bridge Called My Back: Writings by Radical Women of Color.

  5. Cherríe Moraga is a writer, playwright, and essayist active in the Chicana, feminist, and queer communities. With Gloria E. Anzaldúa, she coedited This Bridge Called My Back: Writings by Radical Women of Color (1981), an anthology of writing integral to the emergence of third wave feminism which won the Before Columbus American Book Award.

  6. Originally from San Gabriel, California, Cherríe Moraga is the co-editor of This Bridge Called My Back: Writings by Radical Women of Color with Gloria Anzaldúa. She is a Professor of English at UC Santa Barbara, where she co-directs Las Maestras Center for Xicana Indigenous Thought & Art Practice.

  7. 7 giu 2023 · Reprints & Permissions. View PDF View EPUB. This essay introduces the embodied ceremonial practices of deep presence and sustained attentiveness as Chicana lesbian poetic devices that shape-shift Chicana lesbian subjectivities, socialities, and simultaneously the violence of colonial capitalist racial heteropatriarchies.