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  1. Bomb the Bass is an electronic music alias of English musician and producer Timothy Simenon. As a name, Bomb the Bass came from Simenon's approach to collaging and mixing sounds whilst DJing in the mid- to late 1980s; he says "samples were either scratched in live or sampled and looped on top of the rhythm section.

    • London, England
    • 1987–2013
  2. Bomb The Bass. More images. Profile: English musician and producer of electronic music Tim Simenon. With ‘Beat Dis’, Bomb The Bass helped mould late 1980s acid house. Tim Simenon, has led the group through a number of different incarnations.

  3. English musician and producer of electronic music Tim Simenon. With ‘Beat Dis’, Bomb The Bass helped mould late 1980s acid house. Tim Simenon, has led the group through a number of different incarnations. More recently Bomb The Bass have settled as a duo, vocalist Paul Conboy providing lyrical complements to Simenon’s productions.

  4. Bomb the Bass, pseudonimo di Tim Simenon ( 21 giugno 1967 ), è un disc-jockey e produttore discografico inglese . Simenon è oggi un affermato produttore musicale, e ha lavorato con musicisti di fama internazionale quali i Depeche Mode, o i rapper Seal e Consolidated.

    • 7
  5. Bomb the Bass discography and songs: Music profile for Bomb the Bass, formed 1987. Genres: Electronic, Hip House, Downtempo. Albums include The K&D Sessions™, The Dirtchamber Sessions Volume One, and So Far...

  6. en.wikipedia.org › wiki › Beat_DisBeat Dis - Wikipedia

    Single by Bomb the Bass; from the album Into the Dragon; Released: 1987: Recorded: 1987: Genre: House; dance; acid house; hip house; Length: 6: 00 (original 12-inch version) 3:21 (music video version) Label: Mister-Ron: Songwriter(s) Pascal Gabriel; Tim Simenon; Producer(s) Tim Simenon: Bomb the Bass singles chronology "

  7. On the subject of vocals, Simenon confirms that current collaborator Paul Conboy will be spearheading the show. “He guested on five tracks on the album, though always the idea is to spread across different interpretations.” To that end there collaborations from elsewhere, including a track from