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  1. Don't Feed the Pop Monster is the third studio album by New Zealand duo Broods, released on 1 February 2019. Four singles, "Peach", "Everything Goes (Wow)", "Hospitalized", and "Falling Apart" were released prior to the album. The duo also began playing shows from November 2018 in support of the album.

    • 48:14
    • 1 February 2019
  2. Do not Feed the Pop Monster è il terzo album in studio del gruppo musicale neozelandese Broods, pubblicato il 1º febbraio 2019. Tre singoli, Peach, Everything Goes (Wow) e Hospitalized, sono stati pubblicati come estratti prima dell'album.

    • 48:14
    • 1º febbraio 2019
  3. 1 feb 2019 · Don’t Feed the Pop Monster is the third studio album by New Zealand duo Broods, released on 1 February 2019. Georgia explained the title in an interview with NZ Herald: It’s not...

  4. Explore the tracklist, credits, statistics, and more for Don't Feed The Pop Monster by Broods. Compare versions and buy on Discogs.

    • (34)
    • Electronic, Pop
    • 2
    • Synth-pop, Indie Pop
  5. 1 feb 2019 · Don't Feed the Pop Monster, an Album by BROODS. Released 1 February 2019 on Island (catalog no. 7720997; CD). Genres: Synthpop, Alt-Pop, Electropop. Rated #1568 in the best albums of 2019. Featured peformers: Caleb Nott (writer), Georgia Nott (writer), Chris Gehringer (mastering engineer), Silken Weinberg (cover styling).

    • 1 February 2019
    • BROODS
    • 3.02 / 5.00.5from 331 ratings
  6. 30 gen 2019 · Don’t Feed The Pop Monster illustrates Broods’ success in marrying the classic and the modern aspects of Synthpop music—melodic and meticulous, yet loose and uncontrived. It also exhibits the siblings’ marked maturity in their musical approach and their willingness to broaden their sonic palette without losing their roots, character, and identity.

  7. 15 nov 2018 · Apple Music. Spotify. Sign In to rate and review. Add Critic Rating. Sort. Highest Rated. 70. Under the Radar. Left to their own devices, Kiwi siblings Georgia and Caleb Nott (aka Broods) seize the chance to play; breaking free from the carefully constructed monotone of dark wave for a kaleidoscopic third album. 70. The Sydney Morning Herald.