Risultati di ricerca
El Lissitzky, pseudonimo di Lazar' Markovič Lisickij - in russo Лазарь Маркович Лисицкий? ascoltaⓘ -, è stato un pittore, fotografo, tipografo, architetto e grafico russo. Esponente dell'avanguardia russa, aderì dapprima alla corrente del suprematismo, con l'amico Kazimir Malevič. Famosi sono i suoi quadri ...
Lazar Markovich Lissitzky (Russian: Ла́зарь Ма́ркович Лиси́цкий, listen ⓘ; 23 November [O.S. 11 November] 1890 – 30 December 1941), better known as El Lissitzky (Russian: Эль Лиси́цкий; Yiddish: על ליסיצקי), was a Russian artist, designer, photographer, typographer, polemicist and ...
- Artist
- 30 December 1941 (aged 51), Moscow, Russian SFSR, Soviet Union
El Lissitzky | Artista | Collezione Peggy Guggenheim. Arte. Artisti. El Lissitzky. Scopri di più sulle nostre Visite a partenza fissa. El Lissitzky. 1890, Pochinok, Russia — 1941, Mosca, Russia.
1 dic 2022 · El Lissitzky è stata una figura di rilievo dell’avanguardia russa aderendo prima alla corrente del suprematismo e successivamente al costruttivismo. È stato autore di numerose opere di propaganda dell’Unione Sovietica e con il suo lavoro a esercitato una grande influenza sul Bauhaus e sui movimenti costruttivisti aprendo, di ...
El Lissitzky. Artworks. View all 79 artworks. El Lissitzky lived in the XIX – XX cent., a remarkable figure of Russian-Jewish Suprematism and Constructivism. Find more works of this artist at Wikiart.org – best visual art database.
- Russian, Jewish, Ukrainian
- November 23, 1890
- Pochinok, Russian Federation
- December 30, 1941
Lazar Markovich Lissitzky (Russian: Ла́зарь Ма́ркович Лиси́цкий, ; 23 November [O.S. 11 November] 1890 – 30 December 1941), better known as El Lissitzky (Russian: Эль Лиси́цкий; Yiddish: על ליסיצקי), was a Russian artist, designer, photographer, typographer, polemicist and architect.
22 mar 2024 · El Lissitzky (born November 11 [November 23, New Style], 1890, Pochinok, near Smolensk, Russia—died December 30, 1941, Moscow) was a Russian painter, typographer, and designer, a pioneer of nonrepresentational art in the early 20th century. His innovations in typography, advertising, and exhibition design were particularly influential.
