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  1. Explore El Rodgers Mystics of Rhythm's discography including top tracks, albums, and reviews. Learn all about El Rodgers Mystics of Rhythm on AllMusic.

  2. en.wikipedia.org › wiki › Musa_KaleemMusa Kaleem - Wikipedia

    Career. Wright bought a clarinet in 1937, and by 1939 was touring as a saxophonist with the El Rodgers Mystics of Rhythm, featuring Eddie Jefferson on lead vocals. Early in the 1940s, he began using the name Gonga Musa, and then Musa Kaleem, the name by which he is best known.

  3. en.wikipedia.org › wiki › Doo-wopDoo-wop - Wikipedia

    Doo-wop (also spelled doowop and doo wop) is a subgenre of rhythm and blues music that originated in African-American communities during the 1940s, [2] mainly in the large cities of the United States, including New York, Philadelphia, Pittsburgh, Chicago, Baltimore, Newark, Detroit, Washington, D.C., and Los Angeles.

  4. 5 mar 2024 · 1. Chic – “Le Freak”: This disco classic is certainly one of the most famous songs by Rodgers and Bernard Edwards. The catchy groove and Rodgers’ iconic guitar work make this song unforgettable. 2. Chic – “Good Times”: Another Chic-era masterpiece that showcases Rodgers’ unique rhythm guitar techniques and songwriting ...

  5. 30 mar 2024 · L. Rodgers The Voice. L. Rodgers is a contestant on season 25 of The Voice. She sang a cover of The Rolling Stones’ “Wild Horses.” She received coach McEntire’s chair turn. “I was just blown away with your vocal, and I was just listening and listening, and I’m like, ‘Holy crap! I’ve gotta turn around for this one!’” said ...

  6. Eddie Jefferson. The founder of vocalese (putting recorded solos to words), Eddie Jefferson did not have a great voice, but he was one of the top jazz singers, getting the maximum out of what he had. He started out working…. Read Full Biography. STREAM OR BUY:

  7. 26 mar 2020 · ABSTRACT. By closely studying three key musicians—Keith Richards, Joan Jett, and Nile RodgersI argue that rhythm guitar playing, while maintaining some of rock music’s appropriation of blackness and coding as masculine, allows for a more fluid understanding of sound and genre.