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4 mag 2024 · May 1, 2024. Hero. Master of creating imagery that illustrates beyond the narrative, Erik Messerschmidt is an Academy -Award-winning cinematographer and long-time David Fincher collaborator equipped with a captivating photographic eye and razor-sharp instinct.
1 mag 2024 · By Ella Joyce | Film+TV | 1 May 2024. Above: Still, ‘Mank’ by David Fincher, 2020. Master of creating imagery that illustrates beyond the narrative, Erik Messerschmidt is an Academy-Award-winning cinematographer and long-time David Fincher collaborator equipped with a captivating photographic eye and razor-sharp instinct.
1 giorno fa · Newly seated Board members to serve a three-year term are Natasha Braier, Tommy Maddox-Upshaw, Erik Messerschmidt, M. David Mullen and Cynthia Pusheck. Pusheck has previously served on the Board, and her election as 3 rd Vice President is the only change in officers from the previous year.
1 giorno fa · Monday, May. 20, 2024. Shelly Johnson (photo by Michael Pessah) LOS ANGELES. --. The American Society of Cinematographers (ASC) Board of Governors elected a new slate of officers, with Shelly Johnson re-elected to serve a second term as the organization’s president. The Board also voted in VPs Charlie Lieberman, Patti Lee and Cynthia Pusheck ...
4 giorni fa · El director de fotografía Erik Messerschmidt ASC, que competía en Sección Oficial del pasado Festival Camerimage por este trabajo, nos explicó cómo fotografió los bellos primeros planos de Penélope Cruz y cómo diferenció visualmente las mortales carreras de coches de la década de los 50 de las secuencias relativas a su vida privada, en un periodo especialmente complicado de la vida ...
12 mag 2024 · Fotografia: Erik Messerschmidt Costumi: Catharine Fletcher Incaprera, Cate Adams, Lenaig Periot-Boulben Produttore: Ceán Chaffin, Alexandra Milchan, William Doyle, Peter Mavromates Produzione: Usa Genere: Thriller Durata: 118 minuti
1 giorno fa · Hal Mohr won the only write-in Academy Award ever, in 1935 for A Midsummer Night's Dream. Mohr was also the first person to win for both black-and-white and color cinematography. No winners are lost, although some of the earliest nominees (and of the unofficial nominees of 1928–29) are lost, including The Devil Dancer (1927), The Magic Flame ...
