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Poem. Tyger Tyger, burning bright, In the forests of the night; What immortal hand or eye, Could frame thy fearful symmetry? In what distant deeps or skies. Burnt the fire of thine eyes? On what wings dare he aspire? What the hand, dare seize the fire? And what shoulder, & what art, Could twist the sinews of thy heart?
- English
- UK (then Kingdom of Great Britain)
- 1794
Fearful Symmetry is a phrase from William Blake 's poem "The Tyger" ( Tyger, tyger, burning bright / In the forests of the night, / What immortal hand or eye / Could frame thy fearful symmetry? ). It has been used as the name of a number of other works: Film and television. "Fearful Symmetry" ( The X-Files), an episode of The X-Files.
What is ‘fearful symmetry’ in ‘The Tyger’? This phrase refers to the symmetrical physical structure of a tiger. Its body is designed in a manner that presents it as a ferocious creature. From the eyes to the paws, it is a creature born to feed on other creatures. The speaker is afraid by looking at this symmetry in the tiger.
Quick answer: The term "fearful symmetry" in "The Tyger" refers to the paradox that the Tyger is both beautiful and frightening, using its beauty, balance, and grace to act as a ruthless...
Dare frame thy fearful symmetry? 24; Traduzione. Tigre! Tigre! Ardi brillante; Nelle foreste della notte, Quale mano o occhio immortale; Diede forma alla tua spaventosa simmetria? In quali distanti abissi o cieli; Accese il fuoco dei tuoi occhi? Sopra quali ali osa slanciarsi? Quale mano osa afferrare il fuoco? Quale spalla, quale arte
LC Class. PR4147 .F7 1969. Fearful Symmetry: A Study of William Blake is a 1947 book by Canadian literary critic Northrop Frye whose subject is the work of English poet and visual artist William Blake. The book has been hailed as one of the most important contributions to the study of William Blake and one of the first that embarked ...
16 mar 2017 · (This might help to explain Blake’s reference to ‘fearful symmetry’: he is describing not only the remarkable patterns on the tiger’s skin and fur which humans have learned to go in fear of, but the ‘symmetry’ between the innocent lamb on the one hand and the fearsome tiger on the other.
