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Sir Frederic Leighton, I barone Leighton (Scarborough, 3 dicembre 1830 – Londra, 25 gennaio 1896), è stato uno scultore e pittore britannico preraffaellita. Le sue opere a soggetto storico, biblico e mitologico sono tra gli esempi più raffinati di arte vittoriana.
Frederic Leighton, 1st Baron Leighton, PRA (3 December 1830 – 25 January 1896), known as Sir Frederic Leighton between 1878 and 1896, was a British Victorian painter, draughtsman, and sculptor. His works depicted historical, biblical, and classical subject matter in an academic style.
- Painting and sculpture
Frederic Leighton, 1st Baron Leighton, PRA (3 December 1830 – 25 January 1896), known as Sir Frederic Leighton between 1878 and 1896, was an English painter and sculptor. His works depicted historical, biblical, and classical subject matter.
- British
- December 3, 1830
- Scarborough, United Kingdom
- January 25, 1896
Lord Frederic Leighton was one of the most influential and virtuosic artists of the Victorian era, a brilliant and stylistically adventurous painter of bodies and landscapes, who later in his career launched a new movement in British sculpture.
- British
- December 3, 1830
- Scarborough, England
- January 25, 1896
28 gen 2024 · arte. , preraffaeliti. , Frederic Leighton: biografia ed opere. Biografia di Frederich Leighton. Sir Frederic Leighton nacque a Scarborough il 3 dicembre 1830. Dopo aver studiato presso l’University College School di Londra, partì per una vacanza studio nell’Europa continentale.
14 mar 2024 · Frederic Leighton, 1st Baron Leighton, (3 December 1830 – 25 January 1896), known as Sir Frederic Leighton between 1878 and 1896, was a British Victorian painter, draughtsman, and sculptor. His works depicted historical, biblical, and classical subject matter in an academic style.
Leighton championed the classical revival in British art, which sought inspiration in the cultures of ancient Greece and Rome as the epitome of beauty and sophistication. His work is also allied to the ideals of Aestheticism, which emphasized the purely visual appeal of a work of art over narrative or moral content.
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