Yahoo Italia Ricerca nel Web

Risultati di ricerca

  1. 26 set 1986 · Ga-ga: Glory to the Heroes: Directed by Piotr Szulkin. With Daniel Olbrychski, Jerzy Stuhr, Katarzyna Figura, Mariusz Benoit. In the 21st century, prisoners aboard penitentiary space ships explore unknown worlds.

    • (759)
    • Piotr Szulkin
  2. 18 nov 2015 · Ga-ga: Glory to the Heroes clip. A very disturbing 1986 dystopian sci-fi film from Polish director Piotr Szulkin. A conscript cosmonaut arrives on an alien planet in search of any...

    • 2 min
    • 3,7K
    • Dave Fischer
  3. "Ga, ga" takes place in a supposedly-utopian-actually-extremely-dystopian future, in which outer space has been explored and exploited so much that all planets worth discovering have already been colonised, humans have become lazy and spoiled, and nobody wants to be an astronaut anymore.

  4. 22 giu 2019 · Purchase Ga-Ga: Glory to the Heroes from Amazon U.S. Build and expand your creative library. Harness AI to refine, reimagine, and represent your unique vision. Then elevate your projects with collaborative tools — no tech barriers, just pure creativity.

  5. Synopsis. Scope is a prisoner on a behemoth space station and is chosen, like all his fellow prisoners, to ‘volunteer’ for the exploration of far-away planets. Landing on planet Australia 458, he is given a hero’s welcome with all the sex, booze, and violence that any one man can stomach.

    • (1,3K)
    • Zespół Filmowy "Perspektywa
    • Piotr Szulkin
  6. Scope is a prisoner on a behemoth space station and is chosen, like all his fellow prisoners, to 'volunteer' for the exploration of far-away planets. Landing on planet Australia 458, he is given a hero's welcome with all the sex, booze, and violence that any one man can stomach. But as his new caretakers push him towards even more heinous and deplorable acts, Scope finds that his freedom comes ...

  7. GA-GA: GLORY TO THE HEROES is a return to the satirical absurdity of WAR OF THE WORLDS: NEXT CENTURY, with its dagger sharp media commentary. Like WAR OF THE WORLDS: NEXT CENTURY, the film implicates the passive spectator of televised entertainment.