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  1. The men crawling along the floor, that's to be expected, though. Although maybe that's just the places I've been. A splendid film, just not recommended for those in the immediate proximity of the first meal of the day. Richter in Order: 1. Ghosts Before Breakfast 2. Dreams That Money Can Buy 3. 8 X 8: A Chess-Sonata in 8 Movements

  2. 25 gen 2011 · Discussion. Dada artist and filmmaker, Hans Richter made Ghosts Before Breakfast (AKA Vormittagsspuk) in 1927. In it, inanimate objects come to life and rebel against their normal routines. Extremely clever use of stop-motion animation, it’s as if the art form is practically being invented before your eyes… because it kinda was.

  3. Hans Richter’s Vormittagsspuk is traditionally regarded as one of the key works of avant-garde filmmaking in the 1920s. Scholars have focused primarily on Richter’s experimental techniques, formal aspects of the work, and its Dadaist images of burlesque play. Less attention has been paid to the links with Spiritualism and other modern esoteric currents. The film’s imagery shows obvious ...

  4. Ghosts Before Breakfast (en allemand Vormittagsspuk) est un film dadaïste allemand de court-métrage de 1927 réalisé par Hans Richter. Synopsis [ modifier | modifier le code ] Le film, qui utilise la technique du stop-motion , est constitué d'un ensemble hétéroclite de scènes surréalistes .

  5. 6 feb 2014 · Ghosts Before Breakfast (1928) Hans Richter, 9 minutes Also known as Vormittagsspuk , Ghosts Before Breakfast is an avant-garde film that makes use of special effects such as stop motion to create a world that will surprise and flabberghast the viewer.

  6. Rye spent time in the United States, working in theatre and as a painter before returning to London and Thorp turned his attention to his film practice. Thorp and Rye create videos often dreamt up at the same time as the songs - ‘song films’, bringing together their disciplines in music, sound design, scenic art and film art installation.

  7. Ghosts Before Breakfast: The Appetite for the Beyond in Early Avant-Garde Film Benedikt Hjartarson Hans Richter’s Vormittagsspuk (1928) is traditionally counted among the key works of avant-garde film in the early twentieth century, along with works such as Man Ray’s Le Retour à la raison (1923), Viking Eggeling’s

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