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  1. 17 feb 2024 · Grey's Anatomy 20: Jessica Capshaw è tornata sul set, ecco la prima foto di nuovo nei panni di Arizona. di Carolina Mautone. 17 febbraio 2024. 12. L'attrice, uno dei volti storici del medical...

  2. greysanatomy.fandom.com › wiki › Grey's_Anatomy:_Post-OpGrey's Anatomy: Post-Op

    • Overview
    • Episodes
    • Notes and Trivia

    Grey's Anatomy: Post-Op is an eight-part web series where Gordon James talks to cast, writers, producers, and/or crew members. The series was released in the weeks leading up to the 300th episode of Grey's Anatomy with the first episode released October 4, 2017.

    The guests will look back on the past season of Grey's Anatomy, while each episode will also offer sneak peeks from upcoming season fourteen episodes.

    Episode 1: Alexandra Patsavas

    Gordon welcomes the viewers. He mentions he plays Nurse Gregory, also known as the nurse who never should have left Meredith alone. Moving on. He introduces Alexandra Patsavas, music supervisor on the show. He asks what her job entails. She says anything that has to do with music falls on her, even an actor humming or a character referring to a song. She has to make sure it's cleared and can thus be aired. She thinks about score and songs and how they flow into one another, and of course, which recorded songs would enhance the episodes. He asks how she finds songs. She says she always listens to music with possible songs in mind, and how the singer's voice sounds regardless of the lyrics. At the beginning of each season, Shonda tells her how she wants the audience to feel, without telling Alexandra what will happen. She then starts to pull music based on that emotional brief. Gordon asks about her career. She says she made her way to L.A. and was lucky enough to assist a music superviser who taught her the ropes. She has been with the show since the pilot. She remembers Shonda wanted to use songs as score. At first, Alex didn't really understand how they could use songs in the OR. Gordon wants to talk about iconic songs and brings up Chasing Cars by Snow Patrol. He asks how she chose that song. She answers that Snow Patrol is tremendous and that it was a new album that had just been released. She wanted to pitch the best possible song since it would be played over such a pivotal moment. She remembers waking up the next morning to find out that the song had climbed the charts, which were not as mobile back then. Gordon brings up John Legend's "All of Me" debuting on the season nine finale. Alexandra explains that in the industry, demos are shared since they are nearly perfect but not yet final versions of the song. John sent that demo to Shonda. Shonda wanted to use it and John allowed it. Next up is Keep Breathing by Ingrid Michaelson. Alex recalls that it was in the beginning of Ingrid's career. Her voice was perfect for that moment. Alex calls it one of her favorite scenes on the show. She mentioned that they have used Ingrid more than 10 times, which leads to her talking about Sleeping at Last. She adores his music. They used original songs of his as well as covers, because she finds that he has an inspirational way of doing those. Gordon brings up that season 10 had a lot of covers. Alex credits Shonda for that idea. Shonda picked the songs and it was Alex's job to the find the right versions. Gordon asks about the tone of season 14, although he knows she can't tell them a lot. She shares they'll be referencing a more classic Grey's Anatomy. It's been fun to put together compilations for this year. He asks about episode 300 and if she feels pressure. She feels pressure to continue to connect but it's such a good show to work on. She just wants to keep up her end. They have used more than 1,500 songs and they're nearing 1,600 around that 300th episode. Gordon tells her she moves the fans every Thursday with her music. He thanks her for coming. She says it's been fun. He refers viewers to the website for a list of some of Alex's favorite songs.

    Episode 2: Tony Phelan & Joan Rater

    Gordon welcomes former executive producers and co-showrunners Joan Rater and Tony Phelan. They are married and live together, and while working on Grey's, they used to drive to work separately in order not to always be together. Gordon asks how they came to work on the show. They reply that they were offered three jobs and ended up choosing Law & Order, but after Joan overheard people talking about Grey's Anatomy at a coffee place, they reconsidered and called Shonda. She gave them the job and they joined the team for season two. Gordon mentions they participated in making the musical episode and asks about that. Tony says they both love musicals. Joan says so does Shonda, and they were always singing show tunes in the writers' room. Joan credits Chandra, Kevin, and Sara, as well as the entire cast. They all really brought it. Tony recalls that the network initially shut Shonda's idea down, so it took some convincing. Joan recalls they set up a session on a soundstage. They invited ABC executives. Kevin brought his guitar, and Chandra and Sara sang songs while Shonda told the story. They could immediately see that the executives were sold. Tony says normal prep takes 8 days, while prep for this episode took 3 months. The actors recorded the songs. While shooting, they wore earbuds so they could hear themselves sing. They had to sing along as well as act and perform medical stuff. Also, there was Callie on the gurney and an imaginary Callie, so Sara had to duck and run under the camera to pop up elsewhere. Gordon asks about April's flashmob proposal. Tony says they had Tyce Diorio from So You Think You Can Dance to choreograph. Joan says Nicole Cummins, who plays Paramedic Nicole Cummins, is also a dancer, so they could use her talent on screen. Gordon asks about their favorite episodes. Joan says Wishin' and Hopin' because of Ellis's lucid day. She remembers Shonda really wanted Ellis to be cruel to Meredith. She loved Kate and Ellen's performance and finds the episode beautiful. Tony picks Suicide is Painless because of the Army flashbacks. It was also about assisted suicide. They filmed it in the desert and they all had goggles on because of a wind storm. They were able to nicely weave the flashbacks into the present day medical case. He says the show is elastic enough to allow all sorts of things while still having it feel like the show. Gordon brings up that their last day on set was also Sandra Oh's final day on set. Joan says they were all a wreck. They were all crying. They shot Cristina and Owen's goodbye scene in the OR and gallery, so the last thing Sandra had to do for the show was duck down so that Cristina would be gone when Owen looked up again. Tony directed the episode and he instructed Sandra to duck more as she was still visible. Tony says it was nice that they could all leave together, and he also loved that he got to shoot Ellen and Sandra dancing it out together for the last time. That was fun. The episode had a lot of great stuff to cap off their work on the show. Gordon asks how it feels to have been a part of a show that's now nearing its 300th episode. Joan recalls a moment where they discussed how long the show would run with Shonda. Shonda asked if they could see it run for 7 years, which made them all laugh as they didn't see that happening. And look at the show now! Gordon says goodbye and offers a sneak peek of the next episode.

    Episode 3: Loretta Devine & Michael O'Neill

    Gordon sits down with Loretta Devine, who played Adele Webber, Richard Webber's wife from season 2 to season 9. Gordon's asks how she came to work on the show and how she starts working with Shonda Rhimes. Loretta explains she auditioned for Richard Webber's wife, and says she knew him from New York, from before the show. Jim and Loretta had a saying when they were shooting the show. "This is butter, baby. We're doing quality TV." and she said it was that was the butter - it was very easy to work with him. Gordon talks about how Adele is first brought into the show. Richard had just had brain surgery, and Adele walks in, worried. Loretta adds that it was very important to her that Adele acted just a little stuck up, and had everything pulled together. Adele's jewelry and clothes had to look flawless, and she was well-spoken and likable. Even though Adele knew that Richard had cheated on her with Ellis Grey, her character was strong enough to go into a room, and take control of him. Gordon asks how the storyline of Adele's Alzheimer's came into place, and if has been there since the beginning. Loretta says the storyline came much later, but around the time it showed up on the show, her mother had been experiencing Alzheimer's. Loretta had done a lot of research about this condition and the things that happen in the mind and the whole thing of going back to your memories from the past. From this, it cuts to a scene in the O.R. where Adele is in the O.R. gallery, and she is screaming at Meredith Grey (who she believes is Ellis Grey) to get away from Richard, so Richard starts singing "My Funny Valentine", the song from his and Adele's wedding. Loretta says she included this scene among others to show people and relate to people in the audience who are going through the same thing - a loved one with Alzheimer's. She says the most beautiful moments like these were the most devastating moments. Gordon then talks about his most memorable scene of Adele was when she decides to go to the Alzheimer's home. Loretta feels Adele was doing Richard a favor by letting him go to live his life. She says even though other things happened, they loved each other to the end. This leads to Gordon talking about the episode where Adele is in the Alzheimer's home and she is having sex with another resident. She describes the shooting of this scene as the most awkward scene because she had never done a bedroom scene where someone was embracing and touching her. Gordon inquires if Loretta ever had any fan reactions. She says she used to think, "Adele pregnant? She got to be 90!". A fan reaction Loretta names is one with a woman at a gas station. As Adele was pregnant in the show, a fan came up to her in a gas station and asked about her trimester and if she was in good health. Loretta realized that the show was so real to a lot of people. Gordon thanks Loretta for sitting with him today, and introduced Michael O'Neill, the man who portrayed Gary Clark in the unforgettable Season 6 Finale. Gordon asks Michael how it came to be that he ended up on Grey's Anatomy. Shonda Rhimes called Michael at home, and explained the storyline to him, from his wife, Alison Clark, to the shooting. Shonda told him it would be a workplace shooting, so Michael said this frightened him, and Shonda said, "me too." That's when he realized they were collaborating. O'Neill says Shonda was dealing with a very broad tableau - the ease with we get guns, DNRs, how the hospital deals with patients who have lost spouses when they have no one else. He says it was a 360-degree look at the event that led to the shooting. When Gordon compliments Michael's acting, he credits everything to Shonda because of her writing of the episode. Gordon asks what the process and journey to getting to that dark place. Michael says that someone in his family had been killed, so he knew what it felt like to be mourning. He says people don't recover from that, they adpat from it and learn to cope. He thought he wanted to see what could break a person so badly that they would shoot up a place. Gordon asks what it was like shooting the scenes with the cast and crew, and Michael said it was evident that he was in pain and felt broken. There were moments where cast and crew members came by him and placed their hand on his shoulder to help him feel better. He says he is thankful to have been on Grey's Anatomy and especially the season 6 finale. Gordon thanks Michael and Loretta once again, and says goodbye. There's no sneak peek at the end of this episode.

    •While initially announced as a seven-part webisode series, a surprise eighth episode with guest Debbie Allen was released after the 300th episode.

    •Episode 5 and 6 were released together as two parts of one episode.

  3. 21 apr 2023 · Entra nel mondo Disney+, ORA. Quando esce Grey’s Anatomy 20. Il finale della stagione 19 va in onda il 18 maggio su Abc negli Stati Uniti. Il debutto della stagione 20 è atteso tra la fine di settembre e l’inizio di ottobre 2023, sempre negli Stati Uniti. Grey’s Anatomy 20 in Italia.

    • 3 min
  4. Grey's Anatomy: Post-Op: Created by Shonda Rhimes. With Gordon James, Loretta Devine, Kevin McKidd, Debbie Allen. In the this Grey's Anatomy web series, host Gordon James interviews current and former crew and cast members.

    • (19)
    • 2017-10-04
    • Family, Reality-TV, Talk-Show
    • Gordon James, Kevin McKidd, Debbie Allen
  5. Dopo tanti addii, qualcuno finalmente sta per tornare! ABC ha annunciato che Jessica Capshaw riprenderà il ruolo della Dott.ssa Arizona Robbins nell'imminente ventesima stagione di Grey's...

  6. Show Guide for Grey's Anatomy: Post-Op. Includes an episode list, cast and character list, character guides, gallery, and more.

  7. Channel. ABC.com. Rating. 4.7 /10. Cast. Gordon James, Kevin McKidd, Loretta Devine. Where to watch the first season of Grey's Anatomy: Post-Op online: Explore full episodes streaming, videos, and ratings for each episode.