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  1. Headhunt Revisited – With Brush, Canvas and Camera. THE FILM. NOW AVAILABLE!!! For watching a streaming version, you can now access the film for a 48 hour time period via our fiscal sponsor, DER. Only $5.95 at this link: https://vimeo.com/ondemand/headhuntrevisited. The DVD or lovely bamboo USB drive are available to order on the SHOP page.

    • The Project

      THE PROJECT. Inspired by a true-life adventure, Headhunt...

  2. 21 ott 2017 · Headhunt Revisited: With Brush, Canvas and Camera: Directed by Michele Westmorland. With Lauren Hutton, Michele Westmorland. The documentary, Headhunt Revisited, follows Caroline Mytinger's unprecedented journey in 1926 to the 'Land of Headhunters' in the South Pacific to paint the rich cultural diversity of Melanesia.

    • Michele Westmorland
    • 2017-10-21
    • Documentary, Adventure, History
    • 77
  3. 24 apr 2018 · color, 76 min, 2017. in English. Headhunt Revisited: With Brush, Canvas, and Camera is a timely story of an exceptional woman, a talented artist, and a respectful ally of indigenous peoples whose work continues to inspire artists in her native America and in her beloved Melanesia.

    • 2 min
    • 361
    • Documentary Educational Resource
  4. The documentary, Headhunt Revisited: With Brush, Canvas and Camera, follows Caroline Mytinger’s unprecedented journey to paint the diverse culture of Melanesia in the 1920s. Over 80 years later, Caroline’s story inspires new generations of artists and non-artists alike about the importance of documenting culture and tradition.

  5. Headhunt Revisited. Filmmaker: Michele Westmorland. Producers: Alice Apley, Sandy Jeglum. Status: Screening. DONATE TO THIS PROJECT. Headhunt Revisited: With Brush, Canvas and Camerais a documentary film about Caroline Mytinger and the power of art to span oceans and decades.

  6. 9 nov 2017 · The documentary Headhunt Revisited: With Brush, Canvas and Camera follows another woman-lead expedition with photographer and filmmaker Michele Westmorland retracing their steps 80 years later. We travel along, not just through the Pacific but through time, as the film superimposes past and present.