Risultati di ricerca
2 giorni fa · For the live performance, the band was joined by Angelo Barbera and numerous guest vocalists, including Perry Farrell of Jane's Addiction, Pat Monahan, Ian Astbury of the Cult, Travis Meeks, Scott Weiland of Stone Temple Pilots, and Scott Stapp of Creed.
- Los Angeles, California
- 1965–1973, 1978
27 apr 2024 · “Love Removal Machine” by The Cult is much more than just a catchy rock song – it’s a powerful message about the transformative power of love. By blending spiritual themes with hard-hitting rock riffs, Ian Astbury and his bandmates created a song that continues to inspire listeners to this day.
2 giorni fa · N/A. Painted on My Heart is a Diane Warren song recorded by The Cult for the Gone In 60 Seconds soundtrack in 2000. The band, known for their unique blend of hard rock and post-punk influences, delivers a poignant ballad that speaks to the enduring power of love and the struggles of moving on. As the lyrics suggest, the narrator of the song is ...
24 apr 2024 · Ian Astbury has stated that the song was inspired by a photograph of a Native American woman taken by noted photographer Edward S. Curtis. The visual image of the woman’s fierce, proud expression in the picture inspired Astbury to write a song about a powerful, independent woman who could command respect and admiration.
6 giorni fa · Ian Astbury brings a rich, baritone voice that melded perfectly with The Cult’s varied musical influences. From the hard-hitting “She Sells Sanctuary” to the mystical “Rain,” Astbury’s vocals are a pillar of the band’s broad appeal.
14 mag 2024 · With his distinctive voice and charismatic stage presence, Astbury has carved out a legacy as one of rock's most influential figures serving as the frontman for The Cult and by adding his own unique flair to the classic Doors repertoire while fronting The Doors of the 21st Century
14 mag 2024 · Another 5/14/62 birthday, Ian Robert Astbury is best known as the lead singer of British rock band The Cult. I’m fascinated by the fact that he and C.C. share a birthday, as I always think of The Cult as a bridge between hair metal bands like Poison and the big alt-rock bands of the early ’90s.
