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Ippolita Sforza, ritratta da Bernardino Luini nella chiesa milanese di San Maurizio al Monastero Maggiore. Ippolita Sforza ( Milano, 13 settembre 1481 [1] – Milano, maggio 1521) era figlia di Carlo Sforza, conte di Magenta e di Casteggio, e di Bianca Simonetta, signora di Galliate .
Ippolita Maria Sforza was an Italian noblewoman, a member of the Sforza family. She was the wife of Alfonso II of Naples. Ippolita was a former lover of Lorenzo the Magnificent. She was approached by Lorenzo for help in convincing Ferrante, King of Naples, to withdraw his forces from the siege of Florence. With her husband Prince Alfonso away at Florence, Ippolita agreed to assist Lorenzo ...
Elisabetta Maria Sforza (10 giugno 1456 – 1º settembre 1472) era figlia di Francesco Sforza e Bianca Maria Visconti; divenne Marchesa del Monferrato per matrimonio. Biografia. Rimase orfana di padre a 10 anni e il ducato passò al fratello maggiore Galeazzo Maria Sforza.
15 nov 2023 · An early exception was Ippolita Maria Sforza (1445–88), the eldest daughter of the Duke of Milan, Francesco I Sforza. I argue that she not only studied the Greek language but also acted as a ...
Ippolita Maria Sforza, a cultured young noblewoman who wrote poetry, letters and documents in Latin, was born on this day in 1446 in Cremona. She was married to Alfonso, Duke of Calabria, who later became King Alfonso II of Naples, because it was a politically advantageous alliance, but she did not live long enough to become his Queen consort.
Donna di potere e abilità diplomatica, Ippolita Maria Sforza fece della Grazia e della Danza un medium efficace per tessere relazioni delicate e importanti nella penisola, garantendo un legame stretto e amicale tra la corte milanese-pesarese degli Sforza e il regno Aragonese in Italia. Ippolita ha svolto anche un ruolo importante di messaggera ...
This portrait painting of Ippolita Maria Sforza was created in the year of her death, 1488. This mistake could only have been made, because the art historians have not only no knowledge about the specific symbols (or emblems) of the high dynasties of the Renaissance, but also do not know that (almost) all women of all times like to copy the ...
