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  1. it.wikipedia.org › wiki › Jane_MorrisJane Morris - Wikipedia

    Jane Morris, nata Jane Burden [1] ( Oxford, 19 ottobre 1839 – Bath, 26 gennaio 1914 ), è stata una modella britannica che ha incarnato l'ideale di bellezza dei preraffaelliti. Fu la musa di William Morris (che sposò nel 1859) e di Dante Gabriel Rossetti . Jane Morris ritratta come Proserpina da Dante Gabriel Rossetti.

  2. en.wikipedia.org › wiki › Jane_MorrisJane Morris - Wikipedia

    Jane Morris (née Burden; 19 October 1839 – 26 January 1914) was an English embroiderer in the Arts and Crafts movement and an artists' model who embodied the Pre-Raphaelite ideal of beauty. She was a model and muse to her husband William Morris and to Dante Gabriel Rossetti. [1]

    • Jane Burden, 19 October 1839, Oxford, England
  3. 31 ago 2023 · Jane Morris, al secolo Jane Burden, è stata e ha rappresentato l’ideale di bellezza del movimento artistico preraffaellita. Promosso in Inghilterra a partire dalla metà del Diciannovesimo...

  4. 5 giu 2022 · Jane Morris’s creative influence on her husband’s design empire has finally been revealed in a new book. Sun 5 Jun 2022 08.00 EDT. Revered for his textiles, his art and his socialism, William...

  5. 4 apr 2024 · Detail. Jane Morris (1839-1914) was an English embroiderer and artists’ model who embodied the Pre-Raphaelite ideal of beauty. She was a model and muse to her husband William Morris and Dante Gabriel Rossetti. Dante Gabriel Rossetti, Mariana, 1870, Aberdeen Art Gallery, Aberdeen, Scotland. ArtUK.

  6. 3 giorni fa · Press. Rossetti's Obsession: Images of Jane Morris. Paintings, drawings and photographs of the Pre-Raphaelite star. On the centenary of her death a new exhibition at the Lady Lever Art Gallery explores the role of Jane Morris as Dante Gabriel Rossetti's chief muse and the embodiment of Pre-Raphaelite beauty.

  7. 30 apr 2013 · Jane Morris, the wife of William Morris and the muse of Dante Gabriel Rossetti, became the most identifiable face of Pre-Raphaelite art but has received little scholarly attention in her own right. This book argues that the enduring myth of Jane Morris – as a passive invalid, femme fatale and melancholy beauty – has derived from ...

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