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1. www.themoviedb.org › person › 1760Jerry Goldsmith — The Movie Database (TMDB)

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   21 lug 2004 · Jerry Goldsmith Biography He was nominated for six Grammy Awards, five Primetime Emmy Awards, nine Golden Globe Awards, four British Academy Film Awards, and eighteen Academy Awards (he won only one, in 1976, for the feature film "The Omen").

2. spartiti.sheetmusicengine.com › spartiti › main-titleMain Title - Jerry Goldsmith Spartiti Pdf - Sheet Music Engine

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   Spartiti Main Title. Arrangiamento per Pianoforte, Piano Solo e Vocale. Di Jerry Goldsmith e Joel McNeely. In Accordi, Trasposizione e Scorch

3. da.wikipedia.org › wiki › Jerry_GoldsmithJerry Goldsmith - Wikipedia, den frie encyklopædi

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   Jerrald King " Jerry " Goldsmith (født 10. Februar, 1929 , død 21. Juli, 2004) var en amerikansk filmkomponist og dirigent, mest kendt for sit arbejde med spillefilm. Han har komponeret musik til mange kendte Hollywood film, blandt andet for Chinatown, Sidste udkald, Rambo -filmene, Basic Instinct, Star Trek, Gremlins, Air Force One, LA ...

4. movieplayer.it › personaggi › jerry-goldsmith_267Jerry Goldsmith: film, foto - Movieplayer.it

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   21 lug 2004 · Jerry Goldsmith è nato il 10 Febbraio 1929 a Los Angeles, California, USA. Compositore: film, premi, foto, frasi celebri e altre informazioni.

5. www.discogs.com › pt_BR › artistJerry Goldsmith | Discografia | Discogs

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   Explore edições de Jerry Goldsmith no Discogs. Compre vinil, CDs e muito mais deJerry Goldsmith no Mercado Discogs.

6. www.imdb.com › list › ls068625775All Films Composed By Jerry Goldsmith - IMDb

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   An examination of Czech-Austrian psychologist Sigmund Freud's career when he began to treat patients diagnosed with hysteria, using the radical technique of hypnosis. Director John Huston Stars Montgomery Clift Susannah York Larry Parks. 20. The List of Adrian Messenger.

7. en.wikipedia.org › wiki › Alien_(soundtrack)Alien (soundtrack) - Wikipedia

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   The iconic, avant-garde score to the film Alien was composed by Jerry Goldsmith and is considered by some to be one of his best, most visceral scores. Rather than focusing on themes, Goldsmith creates a bleak and dissonant soundscape that fits the film's dark and intense atmosphere, with only a few "romantic" cues.