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Jiří Trnka. Disambiguazione – Se stai cercando l'omonimo calciatore, vedi Jiří Trnka (calciatore). Jiří Trnka ( Plzeň, 24 febbraio 1912 – Praga, 30 dicembre 1969) è stato un illustratore, animatore e regista cecoslovacco, noto in particolare per le sue animazioni di pupazzi in passo uno.
Jiří Trnka (Czech: [ˈjɪr̝iː ˈtr̩ŋka]; 24 February 1912 – 30 December 1969) was a Czech puppet-maker, illustrator, motion-picture animator and film director. In addition to his extensive career as an illustrator, especially of children's books, he is best known for his work in animation with puppets, which began in 1946.
Jiří Tomáš Trnka (24. února 1912 Plzeň-Petrohrad – 30. prosince 1969 Praha) byl český výtvarník, loutkář, ilustrátor, malíř, sochař, spisovatel, scenárista, kostýmní výtvarník a režisér animovaných filmů. Jeden ze zakladatelů českého animovaného filmu a světově uznávaný ilustrátor a tvůrce loutkových filmů.
Jiří Trnka (Czech: [ˈjɪr̝iː ˈtr̩ŋka]; 24 February 1912 – 30 December 1969) was a Czech puppet-maker, illustrator, motion-picture animator and film director. In addition to his extensive career as an illustrator, especially of children's books, he is best known for his work in animation with puppets, which began in 1946.
12 apr 2024 · Jiří Trnka (born February 24, 1912, Pilsen, Bohemia, Austria-Hungary [now Plzeň, Czech Republic]—died Dec. 30, 1969, Prague, Czechoslovakia) was a preeminent filmmaker of the Czech puppet animation tradition who was also a painter, designer, cartoonist, and book illustrator.
- The Editors of Encyclopaedia Britannica
Regista, costumista e scenografo ceco, nato a Pilsen (od. Plzeň, Repubblica Ceca) il 24 febbraio 1912 e morto a Praga il 30 dicembre del 1969. è stato uno dei più noti autori mondiali del cinema d'animazione, avendo introdotto forti innovazioni in particolare nel campo del film di pupazzi.
Jiri Trnka, Puppet Master. Revered as the pioneer of a remarkable new genre of animation that utilized puppets, Jiri Trnka (b. 1912) conveyed the drama and psychology of his characters through his figures’ body language, expressive lighting and camera movement.
