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John Phillip Law est un acteur américain, né le 7 septembre 1937 à Los Angeles en Californie et mort le 13 mai 2008 dans la même ville. Son rôle le plus mémorable au cinéma est celui du bandit masqué Diabolik dans Danger : Diabolik ! de Mario Bava , ainsi que celui de l'ange aveugle Pygar, aux côtés de Jane Fonda, dans Barbarella de Roger Vadim sorti la même année.
Danger: Diabolik. Danger: Diabolik ( Italian: Diabolik) is a 1968 action and crime film directed and co-written by Mario Bava, based on the Italian comic series Diabolik by Angela and Luciana Giussani. [3] The film is about a criminal named Diabolik ( John Phillip Law ), who plans large-scale heists for his girlfriend Eva Kant ( Marisa Mell ...
Diabolik è un film del 1968 diretto da Mario Bava . È ispirato all' omonimo fumetto creato da Angela e Luciana Giussani e riprende le situazioni di alcuni episodi della serie a fumetti, in particolare quelli intitolati Sepolto vivo!, Lotta disperata e L'ombra nella notte . È considerato da alcuni uno dei migliori film pop degli anni sessanta ...
10 mar 2012 · Marie writes: It's official. I have died and gone to heaven. For here below, as part of an ongoing series exploring Britain's architectural wonders, the Observer's architecture critic Rowan Moore, introduces a spectacular interactive 360-degree panoramic photograph of "The grand staircase in the St Pancras Renaissance hotel" - which I regard as ...
Von Richthofen and Brown, alternatively titled The Red Baron, is a 1971 war film directed by Roger Corman and starring John Phillip Law and Don Stroud as Manfred von Richthofen and Roy Brown. Although names of real people are used and embedded in basic historic facts, the story by Joyce Hooper Corrington and John William Corrington makes no claim to be historically accurate, and in fact is ...
15 mag 2008 · John Phillip Law. In recent years, the rediscovery of popular 1960s culture by the young has led to the elevation to cult status of actor John Phillip Law, who has died aged 70. This is mainly due ...
John Phillip Law is pretty bored in The Love Machine. He plays an artifact only slightly more animated than the monoliths in 2001: A Space Odyssey and symbolizing a great deal less. He is surrounded by a galaxy (or perhaps gallery is the word) of Hollywood character actors who seem as desperate as he is, and the final effect is of Search for Tomorrow on downers .
