Risultati di ricerca
Jonathan Rosenbaum. Highly Recommended Reading. Posted May 18, 2024 in Featured Texts. This article has taught me a lot about how and why dictators appear to be taking over the world, including especially the roles played by China, Russia, and Iran as well as Trump and his followers in this process. I highly recommend it.
- About
Jonathan Rosenbaum was film critic for the Chicago Reader...
- Publications
My first book as an editor, Rivette: Texts and Interviews...
- Events
Thanks to a good many friends and colleagues both in Mexico...
- Featured Texts
Featured Texts Archive — All Th— Betty — Chicag— Death —...
- Notes
ABBAS KIAROSTAMI: A Dialogue Between the Authors (Mehrnaz...
- by Date
Jonathan Rosenbaum. Information. About; Publications;...
- View Archives for 2023
by Jonathan Rosenbaum I consider myself unusually fortunate...
- My 2022 Sight and Sound List
My 2022 Sight and Sound List. Posted December 2, 2022. Name:...
- About
Jonathan Rosenbaum (born February 27, 1943) is an American film critic and author. Rosenbaum was the head film critic for The Chicago Reader from 1987 to 2008, when he retired. [1] He has published and edited numerous books about cinema [2] and has contributed to such notable film publications as Cahiers du cinéma and Film Comment .
- 1969–present
- February 27, 1943 (age 80), Florence, Alabama, U.S.
JONATHAN ROSENBAUM’S 1000 ESSENTIAL FILMS: QUESTIONS AND ANSWERS. Posted January 4, 2022. From Kevin Lee’s web site, posted circa 2004. — J.R. The following questions for Jonathan Rosenbaum were compiled by myself and esteemed colleagues at the IMDb Classic Film Board.
17 nov 2020 · Jonathan Rosenbaum | Current | The Criterion Collection. Author Spotlight. Jonathan Rosenbaum’s books include Cinematic Encounters: Interviews and Dialogues (2018) and Cinematic Encounters 2: Portraits and Polemics (2019), both of which have chapters on director Jim Jarmusch, and the BFI monograph Dead Man (2000). 20 Results.
11 ott 2006 · by Jeremiah Kipp. October 11, 2006. “There were plenty of advantages to living in Paris in the early 1970s, especially if one was a movie buff with time on one’s hands.”. So begins film critic Jonathan Rosenbaum’s essay for the Criterion Collection edition of Orson Welles’s playful masterpiece of trickery, F for Fake.
Patrick Z. McGavin January 29, 2019. Tweet. In the summer of 1972, Jonathan Rosenbaum was a writer and film critic living in Paris who had begun researching an article on Orson Welles ’s original Hollywood project, an adaptation of Joseph Conrad’s novella, Heart of Darkness.
