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3 giorni fa · Ra's al Ghul [a] is a supervillain appearing in American comic books published by DC Comics, commonly as an adversary of the superhero Batman. Created by editor Julius Schwartz, writer Dennis O'Neil and artist Neal Adams, the character first appeared in Batman #232's "Daughter of the Demon" (June 1971). [5]
1 giorno fa · Julius Schwartz and Gil Kane provide insights into the cover trend origins. Strange Adventures #8 (DC, 1951) is not the first DC comic book that featured a gorilla cover.
30 apr 2024 · “About the same time that they were going about adapting Batman to television, (producer) William Dozier had recently renewed his familiarity with the cast of characters by reading the stories featuring the Joker, Catwoman, and the Riddler — which provided the inspiration for three of the scripts,” the Batman comics editor at the time, Julius Schwartz, wrote in his 2000 autobiography Man ...
29 apr 2024 · Julius Schwartz becoming editor of Batman's comic played a significant role in increasing Batman's presence in the Justice League BEFORE the TV show came out. Welcome to the 929th installment of Comic Book Legends Revealed, a column where we examine three comic book myths, rumors and legends and confirm or debunk them.
- Brian Cronin
2 giorni fa · Who's the Silver Age Flash? Who's This? The (then) fastest man alive. The facts: Barry Allen, the second Flash, was the brainchild of editor Julius Schwartz, writer Robert Kanigher and penciler Carmine Infantino, ushering in a new age of superhero comics in Showcase #4 (October 1956). He traded that initial success for a revival of the old ...
28 apr 2024 · He may have only indulged in writing the send-off of the current incarnation for the rare opportunity, & the last chance to work w/ Julius Schwartz. Art-wise, for years I’d already really wanted to see Bob Hall draw Superman.
23 apr 2024 · Following up on the work that he began two years earlier with artist Carmine Infantino on the concept of two distinct DC Earths in “The Flash of Two Worlds” in The Flash #123, Gardner—under the editorial purview of Julius Schwartz—brought together two of his most notable creations in 1963.
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