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1 giorno fa · It was re-released again in U.S. theaters on January 27, 2023, on 1,400 screens to celebrate its Oscar nominations. Home media. The film was released on digital streaming platforms on June 7, 2022, and was released on Blu-ray, DVD, and Ultra HD Blu-ray on July 5, 2022, by Lionsgate Home Entertainment. Reception
- $141.2 million
- Son Lux
- $14.3–25 million
22 ore fa · Following the major success of Poor Things, the Oscar-winning duo Emma Stone and Yorgos Lanthimos are back together on a new production, out in June. Searchlight Pictures. Bella Baxter was undoubtedly one of Emma Stone’s most iconic roles to date, scoring a handful of awards — including an Oscar for Best Actress — and a legion of fans.
1 giorno fa · The cinematic landscape is set to be redefined once again with the release of the teaser trailer and first images of Kinds of Kindness, the latest film by the critically acclaimed director Yorgos ...
2 giorni fa · Miller decided to pursue the film again in 2007, after the release of his animated comedy film Happy Feet. In 2009, Miller announced that filming would begin in early 2011. Hardy was cast as Max in June 2010, with production planned to begin that November. Principal photography was delayed several more times before it actually began in July 2012.
- 3 min
- flickfusion
4 giorni fa · June 2025 Movies. The top June 2025 movie releases are Elio, How to Train Your Dragon, Moana (Live-Action), Untitled Sony and Marvel Universe Film and Ballerina.
5 giorni fa · "Love Again" è un film americano del 2023 che mescola romanticismo e commedia, con un pizzico di dramma. È stato scritto e diretto da James C. Strouse ed è il remake in inglese del film tedesco del 2016 "SMS für Dich", che a sua volta si basa su un romanzo di Sofie Cramer.
2 giorni fa · Shadowplay created the opening title sequence for Reitman's previous film, Thank You for Smoking, and he contacted them again when he found out he was going to direct Juno. With vintage 1970s punk-rock posters as inspiration, Smith and artist Jenny Lee decided to create a sequence that "had texture and a little bit of edge, but also imparted the warmth and heart of the screenplay". [62]