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  1. Sir Kenneth MacMillan (11 December 1929 [citation needed] – 29 October 1992) was a British ballet dancer and choreographer who was artistic director of the Royal Ballet in London between 1970 and 1977, and its principal choreographer from 1977 until his death.

  2. Sir Kenneth MacMillan (Dunfermline, 11 dicembre 1929 – Londra, 29 ottobre 1992) è stato un coreografo e ballerino britannico. Fu il direttore artistico del Royal Ballet a Londra tra il 1970 e il 1977. È ricordato come uno dei grandi coreografi del ventesimo secolo.

  3. Kenneth MacMillan was the leading ballet choreographer of his generation. Born of a poor Scottish family, he had a burning sense that ballet theatre should reflect contemporary realities and the complicated truths of people’s lives. He became director of The Royal Ballet and created some of the outstanding dance works of the twentieth century.

  4. 10 feb 2015 · Kenneth MacMillan è il nome di un importante coreografo scozzese nato nel 1929. Durante la sua intensa attività artistica questa straordinaria personalità ha avuto il merito di rivoluzionare la fisionomia del balletto ottocentesco e di guidarlo verso i nuovi e successivi sviluppi.

  5. 11 dic 2017 · This website is an introduction to his life and work and to his continuing legacy. A project of The MacMillan Estate, it was originally launched in December 2009 and has been updated and relaunched on December 11th, 2017 on what would have been his 88th birthday. Please explore more of this site by clicking on the menu subheadings above.

  6. Sir Kenneth MacMillan (born Dec. 11, 1929, Dunfermline, Fife, Scot.—died Oct. 29, 1992, London, Eng.) was a British ballet choreographer who created more than 40 ballets during his career and helped revive the tradition of full-length ballets in Britain.

  7. WITH CLEMENT CRISP. Sir Kenneth MacMillan, principal choreographer of the Royal Ballet, has been controversial ever since he staged his first professional ballet at Sadler's Wells Theatre as a young dancer in 1955. He has since become one of the most important forces in the dance of our time.

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