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  1. Khrustalyov, My Car! (Russian: Хрусталёв, машину!, romanized: Khrustalyov, mashinu!) is a 1998 Russian comedy-drama film directed by Aleksei German and written by German and Svetlana Karmalita. It was produced by Canal+, CNC, Goskino, Lenfilm and VGTRK.

    • Aleksandr Golutva, Armen Medvedev, Guy Séligmann
    • Aleksei German
  2. Chrustalëv, mašinu! è un film del 1998 diretto da Aleksej Jur'evič German, ambientato negli ultimi giorni della vita di Stalin. È stato presentato in concorso al Festival di Cannes 1998. [1] Trama. Note. ^ (EN) Festival de Cannes: Khrustalyov, My Car!, su festival-cannes.com. URL consultato il 30 settembre 2009. Collegamenti esterni.

    • Хрусталёв, машину!, Chrustalëv, mašinu!
    • russo
  3. 13 gen 1999 · Comedy Drama. Late winter 1953. The lives of nearly half the planet are in Stalin's hands. Director. Aleksey German. Writers. Joseph Brodsky. Aleksey German. Svetlana Karmalita. Stars. Yuriy Tsurilo. Nina Ruslanova. Jüri Järvet Jr. See production info at IMDbPro. RENT/BUY. from $1.99. Add to Watchlist. Added by 4.5K users. 21 User reviews.

    • (2,1K)
    • Comedy, Drama
    • Aleksey German
    • 1999-01-13
  4. 19 nov 2018 · In cinemas December 14 Originally released in 1998, Khrustalyov, My Car is regarded as the inspiration behind Armando Ianucci’s The Death Of Stalin, and remains one of Aleksei German’s most ...

    • 2 min
    • 39,8K
    • Arrow Academy
  5. Franco-Russian film 1998 English subtitles - YouTube. 0:00 / 2:26:28. Yuri Glinski Chief Medical Specialist of the Brain and General of the Red Army is sent to the Gulag without cause, if not...

    • 146 min
    • 4,2K
    • Philippe Meunier
  6. 14 dic 2018 · Movies. This article is more than 5 years old. Khrustalyov, My Car! review – delirious and visually amazing Russian gem. A rerelease of Aleksei German’s 1998 satire is a journey into a...

  7. Moscow, 1953: the Jewish purges are still on, and Stalin is on his deathbed. After trying to escape, a military surgeon is abducted and deposited at the heart of the enigma. Alexei Guerman’s deeply personal film is a work of solid and constant disorientation, masterfully orchestrated.