Risultati di ricerca
Sarah Sophia Child Villiers, Countess of Jersey (4 March 1785 – 26 January 1867), born Lady Sarah Fane, was an English noblewoman and banker, and through her marriage a member of the Villiers family.
- Lady Sarah Sophia Fane, 4 March 1785
- Osterley Park
- 7
Lady Sarah Sophia Fane. Lady Sarah Frederica Caroline Child-Villiers (12 August 1822 in Berkeley Square, London, England – 17 November 1853 in Torquay, Devon, England) was a member of the Villiers family and a member of the House of Esterházy and Princess Esterházy of Galántha from 8 February 1842 to 17 November 1853 through her ...
Sarah Sophia Child-Villiers (née Fane), Lady Jersey (1785-1867) was a society hostess and senior partner in Child & Co. Background and early life. Sarah Sophia Fane was born on 4 March 1785. She was the daughter of John Fane, 10th Earl of Westmorland and his first wife, with whom he had eloped in 1782, Sarah Anne Child.
4 nov 2011 · Sarah Child Villiers, Countess of Jersey (4 March 1785 – 26 January 1867), was a leading figure in Regency society and one of the patronesses of Almack's Assembly Rooms. Family history. Lady Sarah Sophia Fane was born on 4 March 1785, the eldest daughter of John Fane, the tenth Earl of Westmorland, and Sarah Anne Child.
4 nov 2011 · Profile. Sarah Child Villiers, Countess of Jersey (4 March 1785 – 26 January 1867), was a leading figure in Regency society and one of the patronesses of Almack's Assembly Rooms. Family history. Lady Sarah Sophia Fane was born on 4 March 1785, the eldest daughter of John Fane, the tenth Earl of Westmorland, and Sarah Anne Child.
12 lug 2023 · Sarah Child Villiers, Countess of Jersey (4 March 1785 – 26 January 1867), was a very prominent female figure in Regency society. As the leading patroness of Almack's Assembly Rooms, she was reverently referred to as “Queen Sarah” due to her social status and power over the members of the ton.
Chapter 3 examines six manuscript books which influential hostess Sarah Sophia Child-Villiers, fifth Countess of Jersey (1785–1867) kept in 1805–24. It argues that these manuscript compilations are overlooked technologies of power, influence, and creativity in elite Regency social and literary networks.
