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Lucile Hadžihalilović ( Lione, 7 maggio 1961) è una regista, sceneggiatrice, montatrice, produttrice cinematografica e attrice francese . Indice. 1 Biografia. 2 Filmografia. 2.1 Regista. 2.2 Sceneggiatrice. 2.3 Attrice. 2.4 Produttrice. 2.5 Montatrice. 3 Note. 4 Altri progetti. 5 Collegamenti esterni. Biografia.
Lucile Emina Hadžihalilović (born 7 May 1961) is a French writer and director of Bosnian descent. She is best known for the 1996 short film La Bouche de Jean-Pierre and the 2004 feature-length film Innocence, for which she became the first woman to win the Stockholm International Film Festival's Bronze Horse Award for Best Film.
- 7 May 1961 (age 62), Lyon, France
- Gaspar Noé
Writer: Innocence. Lucile Emina Hadzihalilovic was born on May 7, 1961 in Lyon, Rhône, France, to Bosnian parents and grew up in Morocco. She studied Art History and Film Directing at the IDHEC. She has been working in film industry since 1980's, as director, editor, writer and actress in both short and feature films.
- January 1, 1
- Writer, Director, Editor
- Lyon, Rhône, France
- Lucile Hadzihalilovic
Filmografia di Lucile Hadzihalilovic. Lucile Hadzihalilovic. Data di nascita 7 maggio 1961 Lucile Hadzihalilovic ha oggi 63 anni ed è del segno zodiacale Toro. Provost ritrae il pittore Pierre Bonnard e la moglie Marthe, una coppia che ha saputo trasformare in arte il proprio vissuto.
6 ago 2022 · This extended conversation with Lucile Hadžihalilović is grounded in the experience of life, film and filmmaking. The interview was conducted by dossier editors Alison Taylor and John Edmond over Zoom in July 2022, and then edited and condensed for clarity.
7 giu 2022 · Lucile Hadžihalilovic: ‘When I make a film, something unconscious comes out’. The French writer/director of Innocence and Earwig explains why she tells stories from a dream logic perspective. I n Lucile Hadžihalilović’s Earwig, images of cruelty and tenderness circle one another.
6 ago 2022 · August 2022. The Natural Models of Lucile Hadžihalilović. Issue 102. Lucile Hadžihalilović’s films have the structure of allegories. Time after time they are described in terms of surrealism and symbolism, fairy tales, and the shaping of childhood; all rich frameworks for the provision and searching of meaning.
