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  1. Marcia Furnilla (in latino Marcia Furnilla; I secolo – post 65) è stata una nobildonna romana, seconda moglie dell' imperatore Tito, [1] all'epoca ancora generale . Indice. 1 Origini familiari. 2 Biografia. 3 Note. 4 Bibliografia. 5 Altri progetti. Origini familiari. Furnilla veniva da un'illustre e nobile famiglia. [1] .

  2. Marcia Furnilla was a Roman noblewoman who lived in the 1st century. Furnilla was the second and last wife of the future Roman Emperor Titus as well as the aunt of the future emperor Trajan.

  3. The Incongruous Body: Portrait of ‘Marcia Furnilla’ as Venus; Rosemary Barrow, Roehampton University, London; Prepared for publication by Michael Silk, King's College London; Book: Gender, Identity and the Body in Greek and Roman Sculpture; Online publication: 21 September 2018; Chapter DOI: https://doi.org/10.1017/9781139600439.009

  4. Marcia Furnilla. Date. 90-100 C.E., Flavian Period. Artist or Workshop. Unknown. Materials. Marble. Height of the work. 191 cm tall. Provenience. Possibly from a Trajanic Tomb. Current Location. Ny Carlsberg Glyptotek in Copenhagen, Denmark. Description and Significance.

  5. Fu imperatore romano dal 24 giugno 79 al 13 settembre 81. Nacque da Vespasiano e da Domitilla a Roma il 30 dicembre 39. Sposò prima Arrecina Tertulla, figlia di M. Arrecino Clemente, prefetto del pretorio sotto Caligola, poi, alla morte di questa, Marcia Furnilla, che gli diede Giulia e da cui si separò. Fu educato insieme con Britannico e ...

  6. Title: Marcia Furnilla, from Roman Emperors and Empresses. Artist: Aegidius Sadeler II (Netherlandish, Antwerp 1568–1629 Prague) Publisher: Marcus Sadeler (German, Munich before 1614–in or after 1650) Date: 1586–1629. Medium: Engraving. Dimensions: Sheet (trimmed): 12 3/4 × 9 3/4 in. (32.4 × 24.8 cm) Classification: Prints. Accession ...

  7. Roman, Marcia Furnilla. Chuck Close, Oskar, 2013. Nudity. In her statue Marcia Furnilla is given the body of Venus, which acts as a kind of costume; the woman's actual body is replaced by a divine one. This explains the contrast between Furnilla 's aged face and round youthful body.